参孙撕裂狮子的木版画 - 美国大都会艺术博物馆展品查阅

品名（中）	参孙撕裂狮子的木版画
品名（英）	Woodblock for Samson Rending the Lion
入馆年号	1919年，19.73.255
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Albrecht Dürer【1471 至 1528】【德国人】
创作年份	公元 1492 - 公元 1503
创作地区
分类	阻碍（Blocks）
尺寸	15 3/8 英寸 × 11 英寸 × 1 英寸 (39.1 × 27.9 × 2.5 厘米)
介绍（中）	阿尔布雷希特·丢勒（Albrecht Dürer）非凡的木刻版画是通过在一张纸上印刷诸如此类的木块（通常由果木雕刻而成）而创作的。丢勒是自己切割木版画，还是在木版画上绘制设计，并委托技艺精湛的樵夫进行实际雕刻，仍然是一个悬而未决的问题。图像被凿入表面的无与伦比的微妙之处被用作支持和反对丢勒参与的证据。为了创造木刻版画中从未达到的绘画效果，塑造弯曲和锥形线条的图案所涉及的复杂性肯定需要丢勒的密切监督，如果不是他的手在刀上的话。在艺术家去世一个多世纪后，这块仍在使用，在某些地方被重新切割以加强已经开始磨损的图像。艺术家的几幅木版画幸存下来;这是大都会博物馆收藏的两个丢勒块之一。
介绍（英）	Albrecht Dürer's remarkable woodcuts were created by printing blocks such as this one, typically carved from a fruit wood, onto a sheet of paper. Whether Dürer cut his own woodblocks or drew the design on the block and commissioned a highly skilled woodcutter to do the actual carving remains an open question. The unparalleled subtlety with which the image was chiseled into the surface has been used as evidence both for and against Dürer's participation. The intricacies involved in shaping the patterns of curving and tapering lines in order to create pictorial effects never before achieved in woodcut must certainly have required Dürer's close supervision if not his hand on the knife. The block, still in use more than a century after the artist's death, was recut in places to strengthen the image, which had begun to wear away. Several of the artist's woodblocks have survived; this is one of two Dürer blocks in the Metropolitan Museum's collection.