一对Rowel马刺 - 美国大都会艺术博物馆展品查阅

品名（中）	一对Rowel马刺
品名（英）	Pair of Rowel Spurs
入馆年号	1914年，14.25.1730a, b
策展部门	武器和盔甲（Arms and Armor）
创作者
创作年份	公元 1605 - 公元 1685
创作地区	原产国: 可能是德国（Country of Origin: possibly Germany）
分类	马术装备马刺（Equestrian Equipment-Spurs）
尺寸	Spur (a); 长 6 英寸 (15.2 厘米); 宽 3 3/4 英寸 (9.5 厘米); 直径 of rowel 2 1/8 英寸 (5.4 厘米); 重 4 盎司 (10.2 g); spur (b); 长 6 1/4 英寸 (15.9 厘米); 宽 3 1/4 英寸 (8.3 厘米); 直径 of rowel 2 1/8 英寸 (5.4 厘米); 重 4 盎司 (10.2 g)
介绍（中）	这对马刺整体上装饰着一个金色镶嵌的怪诞装饰，其主题是一种叫做Schweifwerk的有机系带风格。这种风格在德语和荷兰语国家很流行，例如我们在荷兰艺术家Esaias van Hulsen制作的装饰版画上看到的，欧洲的其他一些艺术家也采用了这种风格，特别是在法国，包括法国人Jacques Hurtu和Etienne Carteron制作的设计在17世纪上半叶，绅士的时尚潮流是穿靴子和马刺，即使是在非骑行的情况下，包括跳舞或在法庭上走动。当时，马刺不仅仅是马术工具，而是男性的珠宝首饰，这些金匠也在制作盔甲和武器。它们的装饰有时是为了与剑柄、主人的一般装备和马钉相匹配。这些时髦的配饰也是绅士地位的重要标志，有时还是被资产阶级复制的。这种时尚在17世纪中期后逐渐消失。
介绍（英）	This pair of spurs is decorated overall with a gold damascened grotesque decoration featuring motifs of a kind of organic strapwork style called Schweifwerk. This style, popular in the German and Dutch-speaking lands, as we see for example on the ornament prints made by the Dutch artist Esaias van Hulsen, was also practiced by some other artists in Europe, particularly in France, including the designs made by the French Jacques Hurtu and Etienne Carteron. In the first half of the 17th century, the fashion trend for gentlemen was to wear boots and spurs even non-riding circumstances, including for dancing or walking around at court. Spurs became then more than equestrian tools, but pieces of male jewelry often enriched by the same goldsmiths also working on armor and weapons. Their decoration was sometimes intended to match the sword hilt and the general outfit and horse tack of their owner. These trendy accessories were also a significant mark of status for gentlemen, sometimes nonetheless copied by the bourgeoisie. This fashion progressively disappeared after the mid 17th century.