支架、拱顶石和其他建筑详图（正面和背面） - 美国大都会艺术博物馆展品查阅

品名（中）	支架、拱顶石和其他建筑详图（正面和背面）
品名（英）	Brackets, Caryatids and other Architectural Details (recto and verso)
入馆年号	1981年，1981.1047
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Gilles-Marie Oppenord【1672 至 1742】【法国人】
创作年份	公元 1672 - 公元 1742
创作地区
分类	图画（Drawings）
尺寸	页: 11 7/8 × 7 3/4 英寸 (30.1 × 19.7 厘米)
介绍（中）	吉勒·玛丽·奥本德是橱柜制造商让-亚历山大·奥本德的儿子，在其职业生涯的后半段，奥本德以"Ébeniste du Roi"的身份在卢浮宫为法国国王服务。在第一次训练后，吉勒·玛丽在意大利呆了七年，在那里他研究了同时代人和前几代大师建造的巴洛克纪念碑。在纸上收集思想和灵感对他来说将是一项终生的锻炼。尽管他创作的建筑和室内设计没有多少留存至今，但许多图纸都可以归功于他的手。在这张纸上，他似乎专门收集了具有支撑功能的建筑元素。尽管纸上图案的排列看起来有些混乱，但这幅画的整体吸引力非常强。出版商Gabriel Huquier（法语，奥尔良1695-1772年，巴黎）肯定已经意识到了这一吸引力，因为他在出版的《奥尤夫》（Oeuvre）中的几个印刷系列中采用了这张纸的布局（或保持不变），其中包含了奥本德的装饰和室内设计。
介绍（英）	Gilles-Marie Oppenord was the son of the cabinet maker Jean-Alexandre Oppenord who, during the latter part of his career, worked at the Louvre in the service of the French king as ‘Ébeniste du Roi’. After his first training, Gilles-Marie spent seven years in Italy where he studied the Baroque monuments built by his contemporaries and the great masters of previous generations. Collecting thoughts and inspiration on paper would prove to be a life-long exercise for him. Although not many of his executed buildings and interiors survive today, many drawings can be attributed to his hand. On this sheet he seems to have specifically collected architectural elements with a supporting function. Although the arrangement of the motifs on the sheet seems somewhat chaotic, the drawing has a very strong overall appeal. The publisher Gabriel Huquier (French, Orléans 1695–1772 Paris) must have recognized this appeal since he adopted the lay-out of this sheet (or left it unaltered) in several print series in the published ‘Oeuvre’ containing Oppenord’s designs for ornament and the interior.