图形溢出瓶 - 美国大都会艺术博物馆展品查阅

品名（中）	图形溢出瓶
品名（英）	Figural spill vase
入馆年号	1945年，45.35.32
策展部门	美国之翼（The American Wing）
创作者
创作年份	公元 1830 - 公元 1870
创作地区	制造于: 美国, 佛蒙特州, 本宁顿（Made in: United States, Vermont, Bennington）
分类
尺寸	8 3/4 x 11 英寸 (22.2 x 27.9 厘米)
介绍（中）	19世纪中期，浮雕成型陶器大量涌现，上面覆盖着满是斑点的棕色搪瓷。通常被称为罗金汉陶器，以向最初在英国罗金汉侯爵庄园生产的类似陶器致敬，许多原始模具和设计都是由制作这些陶器的巡回陶工从英国带来的。釉料通过浸渍、海绵状或飞溅以及添加有色氧化物的方式发生变化。浮雕投手是最常见的形式，但滑动铸造的动物形象，如卧牛、狮子、贵宾犬和鹿，也很受欢迎。这只躺着的母鹿很可能是用来装饰壁炉架的。母鹿后面的空心树干被用来盛放用来点燃蜡烛或油灯的纸或木头。这件作品覆盖着一层整体斑驳的奶油色和棕色燧石珐琅釉，通常被称为罗金汉釉。
介绍（英）	The middle of the nineteenth century witnessed a proliferation of relief-molded earthenware covered with an allover mottled brown enameled glaze. Often referred to as Rockingham ware in homage to similar ware first produced in England on the property of the marquis of Rockingham, many of the original molds and designs were brought from England by itinerant potters who fashioned these wares. Variations occur in the glazes by the means of application—dipping, sponging, or splashing—and with the addition of colored oxides. Relief-molded pitchers were the most common forms, but slip-cast animal figures such as a recumbent cows, lions, poodles, and deer, were also popular. This figure of a reclining doe was likely intended as a mantel ornament. The hollow tree trunk behind the doe was used to hold paper or wood spills for lighting candles or oil lamps. The piece is covered in an overall mottled cream and brown flint enamel glaze, commonly known as Rockingham glaze.