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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)拉马什图恶魔的护身符
品名(英)Amulet with a Lamashtu demon
入馆年号1984年,1984.348
策展部门古代近东艺术Ancient Near Eastern Art
创作者
创作年份公元前 1000 - 公元前 750
创作地区
分类
尺寸2 1/4 × 1 13/16 × 3/8 英寸 (5.7 × 4.7 × 0.9 厘米)
介绍(中)这块牌匾由黑曜石制成,黑曜石是一种由火山活动产生的天然玻璃,并精细雕刻成凹版,其中设计被雕刻在平面上,形成负面形象。矩形牌匾的顶部边缘已损坏,但足以表明它最初在顶部中心有一个突出的元素,可能是水平钻孔的,以便将护身符串起来戴在身上或以其他方式悬挂。图像和文字都与天空之神阿努的女儿拉玛什图有关。这个强大的恶魔被赶出天堂,在某些记载中,是因为她要求吃人类婴儿的肉。她不安和愤怒,在地球上漫游,猛烈地攻击脆弱的生物,尤其是孕妇和新生儿。拉玛什图的身材高大,肌肉发达,雕刻中的平行条纹强调了肌肉。她的头是狮鹫的头,耳朵尖尖的,张开咆哮的嘴巴,舌头从中伸出来。她对称地握住双臂,肘部弯曲,爪子狮子的爪子以侵略性的姿势直立;她的脚呈猛禽爪子的形状。在拉马什图的其他图像中,一只小狗和一只小猪在她下垂的乳房上吮吸;在这里,成年动物只是侧身,面向她。她周围的物品是礼物,用来安抚她:梳子、纺锤和别针,其尖头在左上角的破碎区域下方可见,是与女性相关的家庭属性,而右上角的动物肢体可能是食物祭品。指向她腰部的箭头形物体还不是很好理解,但可以用作对付恶魔的武器。用楔形文字书写的阿卡德语铭文在中央面板周围延伸,用于囚禁这种可怕的生物。文字贯穿护身符的整个背面,与其他拉马什图护身符上的文字相似,称呼她为"尊贵的女士",并呼吁多个神灵驱除她。超过六十个拉马什图护身符幸存下来,大多数可以追溯到公元前一千年早期。它们的材料和雕刻风格差异很大,许多还包括邪恶风魔之王帕祖祖,展示了将拉玛什图带回下界。博物馆展出的是Pazuzu头部形状的吊坠(1993.181)。这两个恶魔的形象被古代近东的人们用于个人保护,以抵御拉马什图的破坏性、混乱力量。
介绍(英)This plaque is made of obsidian, a naturally-occurring glass produced by volcanic activity, and finely carved in intaglio, in which a design is carved into a flat surface, creating a negative image. The top edge of the rectangular plaque is damaged, but enough remains to indicate that it originally had a projecting element at top center, probably drilled horizontally in order to allow the amulet to be strung and worn on the body or otherwise suspended. The image and text both relate to Lamashtu, daughter of the sky god Anu. This powerful demon was cast out of the heavens, in some accounts because she requested to dine on the flesh of human babies. Restless and angry, she roamed the earth violently attacking vulnerable creatures, especially pregnant mothers and newborns. Lamashtu is shown with a tall, sinewy human body, with stringy muscles emphasized by the parallel striations in the carving. Her head is that of a lion-griffin, with pointed ears and open, roaring mouth from which the tongue protrudes. She holds her arms symmetrically, bent at the elbows, with clawed lion’s paws held upright in an aggressive posture; her feet take the shape of the talons of a bird of prey. In other images of Lamashtu, a puppy and a piglet are shown suckling at her pendulous breasts; here, the adult animals simply flank her, facing towards her. The objects surrounding her are meant to be gifts, offered to placate her: a comb, spindle, and pin, whose pointed end is visible beneath the broken area at top left, are domestic attributes associated with women, while the animal limb at upper right may be a food offering. The arrow-shaped object pointing to her lower back is not well understood but could be intended as a weapon used against the demon. An inscription in Akkadian, written in cuneiform script, runs around the central panel, serving to imprison this fearsome creature. The text, which continues across the entire back of the amulet, is similar to that found on other Lamashtu amulets, addressing her as "exalted lady" and calling upon multiple gods to exorcise her. Over sixty Lamashtu amulets have survived, most dating to the early first millennium B.C. They vary widely in material and carving style, and many also include Pazuzu, king of the evil wind demons, shown driving Lamashtu back to the netherworld. On view in the museum is a pendant in the form of Pazuzu’s head (1993.181). Images of both demons were used for personal protection by people in the ancient Near East against the destructive, chaotic power of Lamashtu.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。