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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)罐子
品名(英)Jar
入馆年号1943年,43.89.11
策展部门古代近东艺术Ancient Near Eastern Art
创作者
创作年份公元前 2600 - 公元前 2300
创作地区
分类
尺寸2.99 英寸 (7.59 厘米)
介绍(中)这个罐子有一个平坦的底座,鼓鼓的身体,隆起的肩膀和外翻的边缘。它是由浅黄色粘土制成的。它是在Kamterlan I发现的,这是伊朗西部扎格罗斯山脉卢里斯坦的一个土堆,也是定居点和埋葬地。这个罐子的形状与青铜器皿的形状相似,考古学家称之为"墨水井",在鲁里斯坦和埃兰的其他地方的墓葬中都发现了这种容器;事实上,凸肩是金属制品的特征,而不是陶器的特征。尽管它们的目的尚不清楚,但青铜墨水井证明了青铜时代埃兰和鲁里斯坦精英之间的互动和交流。这个陶瓷版本表明它的主人渴望成为精英

人们通常认为,这一时期鲁里斯坦的居民是游牧民族,他们在夏天带着牛群从扎格罗斯的高谷迁徙到冬天的低地牧场。这一理论源于缺乏定居点的证据,以及孤立墓地的出现。然而,Kamterlan I的建筑遗迹表明了定居社会,很可能那里的畜牧业与农业同时存在
介绍(英)This jar has a flat base, bulging body, carinated shoulder and everted rim. It is made of a buff clay. It was found at Kamterlan I, a mound in Luristan in the Zagros Mountains of western Iran that was the site of both settlement and burials. The shape of the jar parallels that of bronze vessels, called ‘inkwells’ by archaeologists, which have been found in burials elsewhere in Luristan, as well as in Elam; in fact, the carinated shoulder is a feature of metalwork but not of pottery. Although their purpose is unclear, bronze inkwells attest to interaction and exchange between the elites of Elam and Luristan during the Bronze Age. This ceramic version suggests that its owner aspired to elite status.

It is often thought that the inhabitants of Luristan in this period were pastoral nomads, who moved with their herds from the high valleys of the Zagros during the summer to lowland pastures in the winter. This theory arises from the dearth of evidence for settlements, and the occurrence of isolated cemetery sites. The remains of buildings at Kamterlan I, however, indicates sedentary society, and it is likely pastoralism was practiced alongside agriculture there
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。