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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)图片段:头部
品名(英)Figure Fragment: Head
入馆年号1995年,1995.64.18
策展部门迈克尔·洛克菲勒之翼The Michael C. Rockefeller Wing
创作者
创作年份公元 1500 - 公元 1897
创作地区尼日利亚(?)(Nigeria (?))
分类石雕(Stone-Sculpture)
尺寸高 25 x 宽 15 x 深 17 英寸 (63.5 x 38.1 x 43.2 厘米)
介绍(中)公元200年至1900年间,尼日利亚克罗斯河地区建造了300多块由玄武岩雕刻而成的巨石。这些石器时代的纪念碑大小不等,高度从2英尺左右到6英尺以上不等,通常呈向内的圆形排列。在撒哈拉以南非洲,用石头描绘人类特征是不寻常的;此外,克罗斯河巨石的规模、数量和排列将其与其他拟人雕塑群区分开来

这个特殊的例子,其优雅的低浮雕细节围绕着眼睛,脸颊上有华丽的疤痕,导致它被归因于由恩南人创造的一类物品,恩南人是克罗斯河地区巴科尔族的八个部族之一。Nnam风格的巨石上经常出现的图案包括单螺旋、双螺旋、同心圆、钻石和三角形。这件作品是零碎的,是原本更高的巨石的上半部分。雕塑的正面和背面有明显的区别,背面没有铭文。标记本身指的是疤痕图案,这些图案反映了佩戴者的初始水平、种族、部落和家庭身份。这些标记也可能与节日和仪式期间画在身体上的符号有关。所有的石头都描绘了留胡子的人物,这表明了崇敬和智慧

尽管这些物品在当地社区历代成员的仪式生活中发挥了重要作用,但它们最初的目的只能猜测。它们可能代表已故祖先的精神。也有可能是为了纪念重要的政治和历史人物而创建的。当地人坚持认为,这些石头是由超凡脱俗的力量创造的,像树一样从地里长出来。与更容易获得和操作的木材相比,雕刻和运输这些石头对制造商来说是困难的,这进一步表明了它们的重要性。
介绍(英)Over 300 monoliths carved from basalt in this style were created in the Cross River region of Nigeria between 200 to 1900 a.d. These lithic monuments, which vary in size ranging from around two to over six feet in height, are usually found in circular groupings facing inward. The depiction of human features in stone is unusual in sub-Saharan Africa; additionally, the scale, number, and arrangement of the Cross River monoliths distinguish them from other groupings of anthropomorphic sculpture.

This particular example, with its elegant low-relief detailing around the eyes and the ornate cicatrization along the cheeks, led to its attribution to a class of objects created by members of the Nnam, one of eight clans that comprise the Bakor ethnic group of the Cross River region. Frequent motifs that appear on Nnam-style monoliths include a single spiral, double spiral, concentric circle, diamond, and triangle. This work is fragmentary and is the top half of what was originally a taller monolith. There is a clear differentiation between the sculpture's front and back, with the rear being devoid of inscription. The marks themselves refer to cicatrization patterns, which comment upon the wearer's level of initiation, ethnic, clan, and family identity. These markings may also relate to symbols that would have been painted on the body during festivals and ceremonies. All of the stones depict bearded figures, which suggest venerability and wisdom.

Though these objects have played an important role in the ritual life of successive generations of members of local communities, their original purposes can only be conjectured. They may represent the spirit of deceased ancestors. It is also possible that they were created as memorials to important political and historical figures. Local people maintain that the stones were created by otherworldly powers and emerged out of the ground like trees. The difficulty that carving and transporting these stones would have represented to their makers—as compared to wood, which would have been more easily available and workable—is a further indication of their importance.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。