束腰外衣 - 美国大都会艺术博物馆展品查阅

品名（中）	束腰外衣
品名（英）	Tunic
入馆年号	1987年，1987.394.706
策展部门	迈克尔·洛克菲勒之翼（The Michael C. Rockefeller Wing）
创作者
创作年份	公元 700 - 公元 900
创作地区	秘鲁（Peru）
分类	机织纺织品（Textiles-Woven）
尺寸	高 34 1/4 x 宽 58 英寸 (87 x 147.3 厘米)
介绍（中）	在整个秘鲁史前时期，束腰外衣是男人穿的最精致的衣服。除了是重要的着装单品外，束腰外衣还因其技术多样性和丰富的复杂图案而具有重要意义。这个例子在颜色上非常大胆。主要图案以红色制作，代表相互连接的几何动物，其锯齿状的背部在衬衫的身体上形成强烈的对角线。上衣下边缘的边框（最初也在袖子末端）定期重复更小的轮廓图形。它长长的上翘尾巴有猴子的参考，但它的长鼻子表明它是一种复合动物。这种比例的变化和从中心到边界的图像风格化在当时与瓦尔梅山谷相关的纺织品中很常见。随着新的影响进入该地区，这种多样性受到外部政治和艺术力量的刺激。
介绍（英）	Throughout Peruvian prehistory, the tunic was the most elaborate garment worn by men. In addition to being important items of dress, tunics are significant for their technical variety and their great wealth of complex patterning. This example is strikingly bold in color. The main pattern, worked in red, represents interconnected, geometricized animals, whose serrated backs form strong diagonals across the body of the shirt. A border at the lower edge of the tunic (and originally at the sleeve ends as well), repeats a much smaller profile figure at regular intervals. Its long upraised tail has monkey references, but its long snout suggests that it is a composite animal. Such change of scale and the stylization of imagery from the center to the borders was common to textiles associated with the Huarmey Valley at this time. This variety was stimulated by external political and artistic forces as new influences moved into the area.