纺织品碎片 - 美国大都会艺术博物馆展品查阅

品名（中）	纺织品碎片
品名（英）	Textile Fragment
入馆年号	1987年，1987.394.704
策展部门	迈克尔·洛克菲勒之翼（The Michael C. Rockefeller Wing）
创作者
创作年份	公元前 400 - 公元前 200
创作地区	秘鲁（Peru）
分类	机织纺织品（Textiles-Woven）
尺寸	高 5 3/4 x 宽 12 1/4英寸 (14.6 x 31.1厘米)
介绍（中）	布料制作至少早在公元前三千年就开始于安第斯山脉，几千年来一直是艺术表达的媒介和重要的社会、政治和宗教信息的载体，比秘鲁的陶瓷制作早了一千多年。开发了许多不同的纺织结构。设计可以编织到织物中，或者刺绣或绘画到基础织物上，就像这里的情况一样。纺织品为复杂图像的描绘提供了一个便携式和/或可穿戴的表面，被认为促进了Chavín图像从其发源地北部传播到秘鲁南部海岸，据说在那里发现了这一碎片。图案和绘画风格与Chavín de Huantar遗址的石雕非常相似。这尊雕像有爪的手和脚、蛇发和蛇带，与Chavín de Huantar崇拜的主要神灵之一的杖神有关。
介绍（英）	Cloth making began in the Andes at least as early as the third millennium B.C. and remained a medium of artistic expression and carrier of important social, political, and religious information for millennia, preceding ceramics by more than a thousand years in Peru. Many different textile structures were developed. Designs could be woven into the fabric, or embroidered or painted onto a base fabric, as is the case here. Providing a portable and/or wearable surface for the depiction of complex imagery, textiles are thought to have facilitated the spread of Chavín imagery from the north, where it originated, to the southern Peruvian coast, where this fragment is said to have been found. The motifs and painting style closely resemble those of stone carvings at the site of Chavín de Huantar. The figure's clawed hands and feet, serpent hair, and serpent belt relate it to the staff god, one of the main deities worshipped at Chavín de Huantar.