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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)鼻子装饰物
品名(英)Nose Ornament
入馆年号1979年,1979.206.1239
策展部门迈克尔·洛克菲勒之翼The Michael C. Rockefeller Wing
创作者
创作年份公元 500 - 公元 700
创作地区秘鲁(Peru)
分类金属装饰品(Metal-Ornaments)
尺寸高 2 5/8 x 宽 4 1/4 x 深 1/2 英寸 (6.7 x 10.8 x 1.3 厘米)
介绍(中)这个开放式的金色鼻饰描绘了两种超自然的生物,都有狗和猫的特征,背靠背展示,每个人都拿着一个人类的战利品头。这些生物的尾巴终止于咆哮的头部,进一步强调了生物的耳朵发出的攻击感,耳朵又回来了。石头或贝壳镶嵌物曾经装饰过动物的身体,包括它们的眼睛、耳朵、躯干和腿。当佩戴时,这个鼻饰会覆盖佩戴者的大部分嘴巴:也许这种强大的图像被认为会给佩戴者的演讲注入巨大的力量




据说这件物品是在洛马内格拉的墓地发现的,那里是莫切文化最北部的前哨之一。Loma Negra的金属作品与南部的Moche遗址(如Ucupe)发现的陶瓷和金属制品有着相似的图像(Bourget,2014)。然而,Loma Negra和Moche"心脏地带"之间的确切关系仍然是一个争论的主题(Kaulick,2006)


已发表的参考文献


汉斯·迪特里希的论文。《秘鲁北部洛马内格拉的金属》,《Antike Welt》第3卷(1972年),第43–53页。

Jones,Julie。《莫奇卡金属艺术作品:回顾》,载于《前哥伦布时代的南美洲冶金》,伊丽莎白·P·本森主编。华盛顿特区:邓巴顿橡树研究图书馆和收藏。1979年。

Lechtman、Heather、Antonieta Erling和Edward J.Barry Jr."莫切冶金的新视角;秘鲁北部洛马内格拉的镀金铜技术",《美国古董》第47卷(1982年),第3-30页


参考文献和进一步阅读


Bourget,Steve。民主之路:古老的佩鲁之路。巴黎:艺术颂;日内瓦:日内瓦民族志博物馆。2014年。

卡斯蒂略,路易斯·詹姆。《宇宙大师:莫切艺术家及其赞助人》,载于乔安妮·皮尔斯伯里、蒂莫西·波茨和金·N·里希特主编的《黄金王国:古代美洲的奢华艺术》。洛杉矶:J.Paul Getty博物馆,2017年,第24-31页

Donnan,Christopher B."莫切国家宗教",杰弗里·奎尔特和路易斯·海梅·卡斯蒂略主编的《莫切政治组织的新视角》。华盛顿特区:邓巴顿橡树研究图书馆和收藏,2010年,第47-69页

琼斯、朱莉和海蒂·金。"美洲的黄金",《大都会艺术博物馆公报》第59卷,第4期(2002年春季)

考利克,彼得。"Vicús-Mochica关系",载于《安第斯考古III》,由William H.Isbell和Helene H.Silverman编辑。马萨诸塞州波士顿:施普林格,2006年,第85-111页

肖尔施,黛博拉。"秘鲁洛马内格拉的金银莫切工艺品",《大都会博物馆期刊》第33卷(1998年),第113页,图7、8。
介绍(英)This open-work gold nose ornament depicts two supernatural creatures, both with canine and feline features, shown back to back, each holding a human trophy head. The creatures’ tails terminate in snarling heads, further underscoring the sense of aggression signaled by the creature’s ears, which are back. Inlays of stone or shell once adorned the animals’ bodies, including their eyes, ears, trunks, and legs. When worn, this nose ornament would have covered much of the wearer’s mouth: perhaps the powerful imagery was thought to imbue the wearer’s speech with great strength.


The Moche (also known as the Mochicas) flourished on Peru’s North Coast from 200-850 A.D., centuries before the rise of the Incas. Over the course of some six centuries, the Moche built thriving regional centers from the Nepeña River Valley in the south to perhaps as far north as the Piura River, near the modern border with Ecuador, developing coastal deserts into rich farmlands and drawing upon the abundant maritime resources of the Pacific Ocean’s Humboldt Current. Although the precise nature of Moche political organization is a subject of debate, these centers shared unifying cultural traits such as religious practices (Donnan, 2010).


This object was said to have been found at the burial site of Loma Negra, which was one of the most northern outposts of Moche culture. Loma Negra works in metal share similar iconography with ceramics and metalwork found at Moche sites father to the south, such as Ucupe (Bourget, 2014). The exact relationship between the Loma Negra and the Moche "heartland" remains a subject of debate, however (Kaulicke, 2006).


Published References


Disselhoff, Hans-Dietrich. "Metallschmuck aus der Loma Negra, Vicus (Nord-Peru)." Antike Welt vol. 3 (1972), pp. 43–53.

Jones, Julie. "Mochica Works of Art in Metal: A Review." In Pre-Columbian Metallurgy of South America, edited by Elizabeth P. Benson. Washington, D.C,: Dumbarton Oaks Research Library and Collection. 1979.

Lechtman, Heather, Antonieta Erling, and Edward J. Barry Jr. "New Perspectives on Moche Metallurgy; Techniques of Gilding Copper at Loma Negra, Northern Peru." American Antiquity vol. 47 (1982), pp. 3-30.



References and Further Reading


Bourget, Steve. Les rois mochica: Divinité et pouvoir dans le Pérou ancient. Paris: Somogy éditions d'art; Geneva: MEG, Musée d'ethnographie de Genève. 2014.

Castillo, Luis Jaime. "Masters of the Universe: Moche Artists and Their Patrons." In Golden Kingdoms: Luxury Arts in the Ancient Americas, edited by Joanne Pillsbury, Timothy Potts, and Kim N. Richter. Los Angeles: J. Paul Getty Museum, 2017, pp. 24-31.

Donnan, Christopher B. "Moche State Religion." In New Perspectives on Moche Political Organization, edited by Jeffrey Quilter and Luis Jaime Castillo. Washington D.C.: Dumbarton Oaks Research Library and Collection, 2010, pp. 47-69.

Jones, Julie, and Heidi King. "Gold of the Americas." The Bulletin of the Metropolitan Museum of Art vol. 59, no. 4 (Spring 2002).

Kaulicke, Peter. "The Vicús-Mochica Relationship." In Andean Archaeology III, edited by William H. Isbell and Helene H. Silverman. Boston, MA: Springer, 2006, pp. 85-111.

Schorsch, Deborah. "Silver-and-Gold Moche Artifacts from Loma Negra, Peru." Metropolitan Museum Journal vol. 33 (1998), p. 113, fig. 7, 8.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。