带坐姿的瓶子 - 美国大都会艺术博物馆展品查阅

品名（中）	带坐姿的瓶子
品名（英）	Bottle with seated figure
入馆年号	1978年，1978.412.53
策展部门	迈克尔·洛克菲勒之翼（The Michael C. Rockefeller Wing）
创作者
创作年份	公元 1 - 公元 300
创作地区	秘鲁, 南海岸（Peru, South Coast）
分类	陶瓷容器（Ceramics-Containers）
尺寸	高 9 1/8 × 宽 5 1/4 × 深 5 1/4 英寸 (23.2 × 13.3 × 13.3 厘米)
介绍（中）	与使用两件式陶瓷模具制造容器的北方同行不同，纳斯卡陶工通过盘绕和建模来塑造容器。像本例这样的人像器皿是罕见的，并且在纳斯卡陶瓷序列中存在早期，该序列至少持续了700年。这款迷人的多色瓶子采用了一个坐着的、紧凑的人形。它有一个单独的喷口和带柄。大头坐在宽阔的肩膀上，人物的腿紧贴身体，手臂和手紧紧地放在胸部。手指、脚趾、指甲和面部特征等细节都被几何化了。眼睛和嘴巴微微隆起，而突出的是鼻子和前额上的突起。这个神秘的旋钮可能是指渔民，他们经常被展示出这样的特征。这个人物戴着一个头巾，穿着一件条纹马布。他的左上臂是一只风格化的长喙鸟，可能是一只海鸟，右上臂是一条拟人化的鱼，可能是虎鲸或鲨鱼。海洋图像在所有纳斯卡艺术中都占有突出地位，反映了海洋资源的经济重要性。作为持续财富和危险的来源，海洋在安第斯山脉所有沿海民族的神话中发挥了重要作用。
介绍（英）	Unlike their northern counterparts, who used two-piece ceramic molds for manufacturing vessels, Nazca potters shaped containers by coiling and modeling. Figure vessels like the present example are rare and have an early date in the Nazca ceramic sequence, which lasted for at least 700 years. This engaging polychrome bottle takes the shape of a seated, compact human figure. It has a single spout and strap handle. The large head sits atop the broad shoulders, and the figure's legs are pulled close to the body, with arms and hands held tightly to the chest. Details such as fingers, toes, nails, and facial features are geometricized. The eyes and mouth are slightly raised, while prominent are the nose and a protuberance on the forehead. This mysterious knob may be a reference to fishermen, who are often shown with such a feature. The figure wears a head cover and a striped hipcloth. On his left upper arm is a stylized long-beaked bird, probably a sea bird, and on his right an anthropomorphized fish, perhaps a killer whale or shark. Marine imagery features prominently in all Nazca art, reflecting the economic importance of ocean resources. A source of constant wealth as well as danger, the sea played a major role in myths of all coastal peoples in the Andes.