大卫·杨和无名男子，纽黑文 - 美国大都会艺术博物馆展品查阅

品名（中）	大卫·杨和无名男子，纽黑文
品名（英）	David Young and Unknown Man, Newhaven
入馆年号	2013年，2013.159.23
策展部门	摄影（Photographs）
创作者	Hill and Adamson【1843 至 1848】【英国、苏格兰人】
创作年份	公元 1845
创作地区
分类	照片（Photographs）
尺寸	图像: 6 1/8 × 4 7/16 英寸 (15.6 × 11.3 厘米)
介绍（中）	这幅由画家大卫·奥克塔维乌斯·希尔（David OctaviusHill）和早期摄影师罗伯特·亚当森（Robert Adamson）创作的双人肖像是他们为苏格兰爱丁堡附近的纽黑文和其他小渔村的居民拍摄的约130张照片之一。他们的项目名为"福斯湾的渔民和妇女"，是首次将照片持续用于社会纪录片目的。在工业革命及其随之而来的社会问题时代，希尔和亚当森将纽黑文作为乡村生活的典范——一个由传统、相互支持、诚实劳动和世代连续性联系在一起的社区。艺术家试图通过仔细摆姿势和拥抱纸负片（热量）过程的图形强度和坚韧效果来强调这些品质。这里的重点是一对年轻的渔民和传统的柳筐，用于将他们的渔获拖上山到爱丁堡繁华的市场。
介绍（英）	This double portrait by the painter David OctaviusHill and the early photographer Robert Adamson is one of some 130 images they would make of the inhabitants of Newhaven and other small fishing villages near Edinburgh, Scotland. Entitled “The Fishermen and Women of the Firth of Forth,” their project constitutes the first sustained use of photographs for a social documentary purpose. During the age of the Industrial Revolution and its attendant social problems, Hill and Adamson presented Newhaven as an exemplar of village life—a community bound by tradition, mutual support, honest labor, and the continuity of generations. The artists attempted to emphasize these qualities by the careful posing of figures and by embracing the graphic strength and gritty effect of the paper negative (calotype) process. Here the focus is on a pair of young fishermen and the traditional willow basket used to haul their catch up the hill to the bustling market in Edinburgh.