[花馆和杜乐丽花园] - 美国大都会艺术博物馆展品查阅

品名（中）	[花馆和杜乐丽花园]
品名（英）	[The Pavillon de Flore and the Tuileries Gardens]
入馆年号	1999年，2005.100.29
策展部门	摄影（Photographs）
创作者	Marie-Charles-Isidore Choiselat【1815 至 1858】【法国人】
创作年份	公元 1849
创作地区
分类	照片（Photographs）
尺寸	15.2 x 18.7 厘米 (6 x 7 3/8 英寸)
介绍（中）	这张银版照片拍摄于1849年9月，拍摄于巴黎美术学院的一扇窗户上，展现了这些现实镜子令人眼花缭乱的精确性和存在性。正如银版照相术的潜力一样，静止物体的渲染精度极高；放大后，人们可以清楚地看到弗洛雷斯宫的微小建筑细节，杜乐丽花园的雕像和盆栽树木的特征，甚至是里沃利街背景建筑上的烟囱<1839年，达盖尔本人选择了一个几乎相同的有利位置作为他最早的演示作品之一，很可能正是考虑到了这个原型形象，Choiselat和Ratel在十年后制作了这个大型的银版。Choiselat和Ratel是最早利用和改进Daguerre工艺的从业者之一，他们于1840年首次发表了提高银版感光度的方法，并于1843年实现了不到两秒的曝光时间。与达盖尔的长时间曝光不同，达盖尔没有记录到移动人物的存在，这张照片包括花园大门外的人（尽管有点模糊），在皇家桥上，从停泊在塞纳河的漂浮温水浴场上方的quai墙上凝视。更引人注目的是充满云层的天空的戏剧性渲染，这是通过创新的技术实现的，即在曝光的中途遮蔽板的上部。
介绍（英）	Taken in September 1849 from a window of the École des Beaux-Arts, this daguerreotype exhibits the dazzling exactitude and presence that characterize these mirrors of reality. True to the daguerreotype's potential, stationary objects are rendered with remarkable precision; under magnification one can clearly discern minute architectural details on the Pavillon de Flore, features of statuary and potted trees in the Tuileries Gardens, even the chimney pots on the buildings in the background along the rue de Rivoli. Daguerre himself had chosen a nearly identical vantage point in 1839 for one of his earliest demonstration pieces, and it may well have been with that archetypal image in mind that Choiselat and Ratel made this large daguerreotype a decade later. Choiselat and Ratel, among the earliest practitioners to utilize and improve upon Daguerre's process, first published their methods for enhancing the sensitivity of the daguerreotype plate in 1840 and had achieved exposure times of under two seconds by 1843. Unlike Daguerre's long exposure, which failed to record the presence of moving figures, this image includes people (albeit slightly blurred) outside the garden gates, on the Pont Royal, and peering over the quai wall above the floating warm-bath establishment moored in the Seine. Still more striking is the dramatic rendering of the cloud-laden sky, achieved by the innovative technique of masking the upper portion of the plate partway through the exposure.