山上的Nymph甜蜜的自由 - 美国大都会艺术博物馆展品查阅

品名（中）	山上的Nymph甜蜜的自由
品名（英）	The Mountain Nymph Sweet Liberty
入馆年号	1941年，41.21.15
策展部门	摄影（Photographs）
创作者	Julia Margaret Cameron【1815 至 1879】【英国人，出生于印度】
创作年份	公元 1866
创作地区
分类	照片（Photographs）
尺寸	36.1 x 28.6 厘米 (14 3/16 x 11 1/4 英寸 )
介绍（中）	在卡梅隆的《山上的Nymph，甜蜜的自由》中，基恩小姐是一位引人注目的模特，我们只知道她的姓氏，她直视着镜头（进而凝视着观众），头发松弛，眼睛睁得大大的。填满相框，她似乎走出了画面。这张照片的标题取自约翰·弥尔顿的诗歌《快板》，这首诗是对生活乐趣的庆祝：来吧，边走边旅行在轻盈梦幻的脚趾上在你的右手中与你同行山神，甜美的自由 Cameron把照片发给了她的朋友，著名科学家John Herschel爵士，他回信说，"‘Mountain Nymph Sweet liberty’（顺便说一句，有点胆小和心烦意乱，好像第一次放松了，有点害怕它太好了，撑不下去）的头真的是一个最令人惊讶的高度解脱。她绝对活着，把头从纸上伸到空中。这是你自己的特殊风格。"。赫歇尔抓住了这张照片最引人注目的品质，它令人震惊的存在感以及与观众的心理联系。
介绍（英）	In Cameron's Mountain Nymph, Sweet Liberty, Miss Keene, an arresting model about whom we know nothing but her last name, stares directly at the camera (and, by extension, at the viewer), her hair loose and her eyes open wide. Filling the frame, she seems to step out of the picture. The photograph takes its title from John Milton's poem L'Allegro, a celebration of life's pleasures: Come, and trip it as you go On the light fantastic toe; And in thy right hand lead with thee The mountain nymph, sweet Liberty. Cameron sent the photograph to her friend, the renowned scientist Sir John Herschel, who wrote back, "That head of the 'Mountain Nymph Sweet liberty' (a little farouche & égarée [timid and distraught] by the way, as if first let loose & half afraid that it was too good to last) is really a most astonishing piece of high relief-She is absolutely alive and thrusting out her head from the paper into the air. This is your own special style." Herschel seized upon the photograph's most striking quality, its startling sense of presence and of psychological connection with the viewer.