安东尼斯·庇护皇帝的大理石画像 - 美国大都会艺术博物馆展品查阅

品名（中）	安东尼斯·庇护皇帝的大理石画像
品名（英）	Marble portrait of the emperor Antoninus Pius
入馆年号	1933年，33.11.3
策展部门	希腊和罗马艺术（Greek and Roman Art）
创作者
创作年份	公元 100 - 公元 199
创作地区
分类	石雕（Stone Sculpture）
尺寸	高 15 13/16 英寸 (40.2 厘米)
介绍（中）	安东尼斯·皮乌斯（Antoninus Pius）在哈德良（Hadrian）51岁时被收养为他的继任者。因此，他的肖像将他描绘成一个成熟的人，风格冷静而精致，有意识地与哈德良所采用的帝国形象相呼应。公元138年，在他统治初期，他不得不迫使一个不情愿的参议院授予哈德良神圣的荣誉，也许正是出于这个原因，他自己被授予庇护的称号。与他的两位前任图拉真和哈德良不同，安东尼乌斯没有发动任何重大战争，也没有在帝国内广泛旅行。事实上，他实际上是最后一位在罗马城度过大部分统治时间的皇帝。安东尼乌斯被视为一位公正而勤勉的管理者，他在帝国权力鼎盛时期主持了帝国，历史学家爱德华·吉本（Edward Gibbon）后来称之为"人类最幸福、最繁荣的时期"
介绍（英）	Antoninus Pius was adopted by Hadrian as his successor when he was already fifty-one years old. His portraits thus represent him as a mature man in a sober but refined style that consciously echoes the imperial imagery adopted by Hadrian. At the beginning of his reign in A.D. 138, he had to impel a reluctant Senate to award Hadrian divine honors, and it is probably for this reason that he himself was given the title of Pius. Unlike his two immediate predecessors, Trajan and Hadrian, Antoninus did not embark on any major wars or travel widely through the Empire. Indeed, he was in effect the last emperor to spend most of his reign in the city of Rome itself. Regarded as a just and diligent administrator, Antoninus presided over the Empire at the height of its power—a time that the historian Edward Gibbon later famously referred to as the period when “the condition of the human race was most happy and most prosperous.”