赤陶颈双耳瓶（储物罐） - 美国大都会艺术博物馆展品查阅

品名（中）	赤陶颈双耳瓶（储物罐）
品名（英）	Terracotta neck-amphora (storage jar)
入馆年号	1911年，11.210.1
策展部门	希腊和罗马艺术（Greek and Roman Art）
创作者	New York Nessos Painter
创作年份	公元前 699 - 公元前 650
创作地区
分类	花瓶（Vases）
尺寸	高 42 3/4 英寸 (108.6 厘米); diameter 22 英寸 (55.9 厘米)
介绍（中）	在公元前七世纪上半叶，雅典的花瓶画家放弃了抽象的几何传统，转而采用受近东进口艺术启发的自然主义风格。在这个巨大的花瓶前面，英雄赫拉克勒斯大步向左走去，手里拿着剑，抓住了试图绑架赫拉克勒斯妻子戴安娜拉的半人马内索斯的头发。半人马的两个组成部分——马和人——在这个早期的表现中并没有很好地融合在一起，但这个生物表现出情感，伸出双手恳求怜悯。赫拉克勒斯身后，一辆四匹马的战车和一名车夫耐心地等待着战斗的结果，而一个被兴奋吸引的小个子男人则冲了上前去。场景以轮廓和轮廓的组合描绘，由白色和切割的线条生动起来。狮子攻击花瓶脖子上的鹿，马在肩膀上吃草，但大部分表面都充满了花卉图案和曲线装饰。这个花瓶充当了坟墓的标记。
介绍（英）	During the first half of the seventh century B.C., vase painters in Athens abandoned the abstract geometric tradition in favor of a naturalistic style inspired by art imported from the Near East. On the front of this monumental vase, the hero Herakles strides to the left, sword in hand, grabbing the hair of Nessos, a centaur who had tried to abduct Herakles' wife, Deianeira. The two components of the centaur—horse and man—are not well integrated in this early representation, but the creature shows emotion, pleading for mercy with outstretched hands. Behind Herakles, a four-horse chariot and a driver wait patiently for the outcome of the battle, while a small man attracted by the excitement rushes forward. The scene is depicted with a combination of outline and silhouette enlivened by white and incised lines. A lion attacks a deer on the neck of the vase, and horses graze on the shoulder, but most of the surface is filled with floral motifs and curvilinear decorations. This vase served as a grave marker.