Terracotta caly krater（用于混合葡萄酒和水的碗） - 美国大都会艺术博物馆展品查阅

品名（中）	Terracotta caly krater（用于混合葡萄酒和水的碗）
品名（英）	Terracotta calyx-krater (bowl for mixing wine and water)
入馆年号	1907年，07.286.86
策展部门	希腊和罗马艺术（Greek and Roman Art）
创作者	Painter of the Berlin Hydria
创作年份	公元前 460 - 公元前 450
创作地区
分类	花瓶（Vases）
尺寸	高 21 15/16 英寸 (55.8 厘米) diameter 22 15/16 英寸 (58.3 厘米)
介绍（中）	正面和反面，Amazonomachy（希腊人和亚马逊人之间的战争）这里的人物数量和姿势的复杂性反映了大约在公元前五世纪中叶进入花瓶绘画的一种创新，通常归因于纪念墙绘画的影响。正面的亚马逊河位于作品的中间，她的战友倒下在左侧，人物、盾牌和武器的重叠生动地传达了战争的喧嚣。同时，许多空间平面使花瓶的黑色背景所提供的隐含的浅舞台紧张。自然主义表现与花瓶绘画所提供的表达可能性之间的根本不相容导致了后者的消亡，尽管这只发生在公元前四世纪末。与此同时，艺术家们利用一切可能性来描绘人物的动作和情感。
介绍（英）	Obverse and reverse, Amazonomachy (battle between Greeks and Amazons) The number of figures and the complexity of poses here reflect an innovation that entered vase-painting about the middle of the fifth century B.C. and is generally attributed to the influence of monumental wall-painting. The frontal mounted Amazon in the middle of the composition, her falling comrade to the left, and the overlapping of figures, shields, and weapons dramatically convey the tumult of battle. At the same time, the many spatial planes strain the implicitly shallow stage provided by the black background of a vase. The fundamental incompatibility between naturalistic representation and the expressive possibilities offered by vase-painting led to the latter's demise—although that would come only at the end of the fourth century B.C. In the meantime, artists exploited every possibility to depict motion and emotion in the human figure.