山顶投手 - 美国大都会艺术博物馆展品查阅

品名（中）	山顶投手
品名（英）	Jarro de Pico
入馆年号	2009年，2009.227
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Hernando Solis【1550 至 1650】
创作年份	公元 1585 - 公元 1599
创作地区
分类	金属制品银（Metalwork-Silver）
尺寸	整体 (confirmed): max ht. 7 5/8; ht. from upper edge of body: 6 5/16 x 8 3/8 x 4 3/16 英寸, 2.1磅 (19.4; 16 x 21.3 x 10.6 厘米, 0.9474kg)
介绍（中）	Jarro de pico是一种近乎神话地位的豪华器皿，是所谓的西班牙银器黄金时代的典型国内物品。这些华丽的喙形水壶，用于在富有的餐桌上洗手，通常将文艺复兴风格的元素与菲利普二世和菲利普三世时期或十六世纪下半叶和十七世纪初的几何构思形式融合在一起。在 jarro de pico 中，壶身的紧缩感被壶嘴上强有力的建模细节所抵消，这通常让人联想到文艺复兴时期意大利流行的怪诞设计。这个壶嘴的雕塑活力，以一个留着胡须的男人的形式，有一个叶状的冠和尖尖的动物耳朵，与华丽手柄的时尚功能，几乎符合人体工程学的形式形成鲜明对比，其底部有一个尖尖的曲线和一个异常突出的拇指卷轴，延伸了它的高度。车身的纯度仅由镀金的水平带和造型突出。在这个jarro de pico的脚下有一个带有巴利亚多利德市徽章的标记和一个部分标记，初步确定为银匠埃尔南多·索利斯的标记。
介绍（英）	A luxury utensil of near-mythic status, the jarro de pico was the quintessential domestic object of the so-called golden age of Hispanic silver. These ornately beaked ewers, intended for hand washing at the tables of the wealthy, typically meld elements of Renaissance style with the geometrically conceived forms of the Philip II and Philip III periods, or the last half of the sixteenth and early part of the seventeenth century. In the jarro de pico the austerity of the ewer’s turned body is offset by the powerfully modeled detail on the spout, which is often reminiscent of the grotesque designs popular in Renaissance Italy. The sculptural vigor of this ewer’s spout, in the form of a bearded man with a foliate crown and pointed animal’s ears, contrasts with the sleekly functional, almost ergonomic form of the flamboyant handle, which features a spiky curve at its base and an unusually prominent thumb scroll that extends its height. The purity of the body is accented only by gilded horizontal bands and moldings. Inside the foot of this jarro de pico are a mark bearing the arms of the city of Valladolid and a partial mark that has been tentatively identified as that of the silversmith Hernando Solis.