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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)侧椅(一对)
品名(英)Side chair (chais à la reine) (one of a pair)
入馆年号1977年,1977.102.13
策展部门欧洲雕塑和装饰艺术European Sculpture and Decorative Arts
创作者Georges Jacob【1739 至 1814】【法国人】
创作年份公元 1784
创作地区
分类木工家具(Woodwork-Furniture)
尺寸34 x 18-1/2 x 18 英寸 (86.4 x 47.0 x 45.7 厘米)
介绍(中)"十一点钟出发去修利里,看气球熄灭;我们很快就下了马车,我们最艰难地穿过了皇家桥上的人群,来到了小花园门口。不久之后,坎伯兰公爵就面临着被挤压致死的危险,正如所有公共期刊所宣布的那样。法国女王坐在Thuilleries前面的阳台上,显得严肃,我们一行人说,她看起来像一个非常英俊的英国女人。当空中人起飞后,我就退出了花园。约瑟夫·克拉多克(Joseph Cradock,1742-1826 年)在 1783 年 12 月 1 日的日记中提到了许多观看当天发生的历史性事件的观众:第一次载人氢气球飞行。物理学家雅克-亚历山大-塞萨尔·查尔斯(1746-1823)和他的合作者玛丽-诺埃尔·罗伯特(1760-1820)乘坐悬挂在网状氢气球上的吊舱从杜乐丽花园起飞。

这些侧椅的顶端呈气球形状,雕刻有网状,于 1784 年 2 月在杜乐丽宫为女王闺房提供,以庆祝查尔斯和罗伯特的成功飞行。乔治·雅各布(Georges Jacob)是旧制度的杰出菜单设计师之一,他提供了胡桃木框架,他将其描述为"新形状",可能是指拱形顶轨或形状像马蹄铁的座椅。卢梭兄弟既是装饰画家又是雕塑家,他们执行了精致的雕刻,其中每个元素都在他们 1784 年的发票中仔细详细说明。椅子的腿有充满箭头的箭袋的形式,背部的立柱形状像fasces,或用丝带绑成捆的棒子,在古典古代象征着权力或权威。现在鲜为人知的普雷斯尔(Presle)以"国王的画家和镀金者"为广告,为框架镀金。对于雕刻的某些细节,例如座椅导轨上的桃金娘树枝,选择了清晰的绿色镀金色调,与其他地方使用的黄金形成微妙的对比。
介绍(英)"At eleven o’clock set out for the Thuilleries, to see the balloon go off; we soon quitted the coach, and it was with the greatest difficulty we got through the crowd on the Pont-royal to the little garden door. It was not long afterwards, that the Duke of Cumberland was in danger of being squeezed to death, as announced in all the public journals. The Queen of France sat in the balcony in front of the Thuilleries, appeared serious, and our party remarked, that she looked like a very handsome English woman. As soon as the aëronauts had taken their flight, I quitted the gardens." In his diary entry for December 1, 1783, Joseph Cradock (1742–1826) refers to the many spectators who watched a historic event take place that day: the first manned hydrogen balloon flight. The aeronauts Jacques-Alexandre-César Charles (1746–1823), a physicist, and his collaborator, Marie-Noël Robert (1760–1820), took off from the gardens of the Tuileries in a gondola suspended from a netted hydrogen balloon.

Balloon-shaped and carved with netting, the finials of these side chairs, supplied for the queen’s boudoir at the Château des Tuileries in February 1784, celebrate Charles and Robert’s successful flight. Georges Jacob, one of the outstanding menuisiers of the ancien régime, provided the walnut frames, which he described as “of a new shape,” possibly referring to the arched top rail or the seat shaped like a horseshoe. The brothers Rousseau, who were decorative painters as well as sculptors, executed the delicate carving, each element of which is carefully detailed in their 1784 invoice. The chairs’ legs have the form of arrow-filled quivers, and the uprights of the back are shaped like fasces, or bundles of rods tied with ribbon, which symbolized power or authority in classical antiquity. The now little-known Presle, who advertised as “painter and gilder to the king,” gilded the frames. For certain details of the carving, such as the myrtle branches on the seat rails, a clear greenish tone of gilding was chosen to subtly contrast with the yellow gold used elsewhere.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。