机织丝绸长度 - 美国大都会艺术博物馆展品查阅

品名（中）	机织丝绸长度
品名（英）	Length of woven silk
入馆年号	1979年，1979.387.1
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者
创作年份	公元 1720 - 公元 1729
创作地区
分类	机织纺织品（Textiles-Woven）
尺寸	整体: 39 x 16 1/4 英寸 (99.1 x 41.3 厘米) (loom width)
介绍（中）	这个保存完好的例子是大都会博物馆收藏的十八世纪织物的宝贵和有启发性的补充，因为它与纺织艺术的几个主要趋势有关。带有蕾丝填充物方式的几何设计的小隔间区域以及风格化的花卉花束将这种纺织品与所谓的蕾丝图案丝绸联系起来，其中许多可归因于法国。富有想象力的小插页式图案是花卉、几何和奇幻形式的混合体，并在奇异的丝绸中发现的回忆元素，一组有争议的起源部分被认为是意大利制造的。然而，其他特征将丝绸与娜塔莉·罗斯坦（Natalie Rothstein）作为荷兰人暂时建立的一组纺织品联系起来。大约十六英寸的狭窄织机宽度大大小于许多其他当代欧洲纺织品的宽度。图案的比例也缩小了，但精确的绘画风格和图案周围的空间避免了任何压缩或过度拥挤的感觉。绿色地面的配色方案与白色的设计以及浅蓝色和深蓝色、粉红色和鲑鱼色、黄色和芥末色的明智放置细节，补充并进一步平衡了构图。虽然对称图案在这个时候并不罕见，但更不寻常的是垂直强调，当两个或两个以上的长度放在镶边上，从而完成花柱时。这种强烈的视觉口音表明，这种纺织品可能旨在作为家具织物而不是服装材料。
介绍（英）	This beautifully preserved example is a valuable and instructive addition to the Metropolitan Museum's collection of eighteenth-century fabrics, as it relates to several major trends in the textile arts. The small compartmentalized areas with geometric designs in the manner of lace fillings, as well as the stylized floral bouquets, relate this textile to the so-called lace patterned silks, many of which are attributable to France. The imaginative small interstitial motifs are a hybrid of floral, geometric, and fantastic forms and recall elements found in bizarre silks, a group of disputed origin in part thought to be of Italian manufacture. Other characteristics, however, link the silk to a group of textiles tentatively established by Natalie Rothstein as Dutch. The narrow loom width of approximately sixteen inches is substantially less than that found in many other contemporary European textiles. The scale of the pattern is also reduced, but the precise drawing style and the allowance for space surrounding the motifs avoid any sense of compression or overcrowding. The color scheme of green ground with design in white and judiciously placed details in light and dark blue, pink and salmon, yellow and mustard, complements and further balances the composition. Although symmetrical patterns are not rare at this time, more unusual is the vertical emphasis which occurs when two or more lengths are placed selvage to selvage, thus completing the floral column. This strong visual accent suggests that the textile was probably intended as a furnishing fabric rather than as costume material.