与曼娜集会的追逐 - 美国大都会艺术博物馆展品查阅

品名（中）	与曼娜集会的追逐
品名（英）	Chasuble with the Gathering of the Manna
入馆年号	1954年，54.176.2
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Hieronymus (Jerome) Wierix【1553 至 1619】【荷兰人】
创作年份	公元 1570
创作地区
分类	纺织品挂毯（Textiles-Tapestries）
尺寸	高 44 x 宽 27 1/2 英寸 (111.8 x 69.9 厘米)
介绍（中）	在这个非常罕见的挂毯编织教会法衣的例子中，错视画中模仿了更多预期的材料和技术：主要织物模拟石榴天鹅绒和绘画场景，刺绣。Chasuble 是一套的一部分，其中还包括两个达尔马蒂奇（一个在大都会艺术博物馆，另一个在洛杉矶县艺术博物馆）。这三件法衣都带有De Vissher-van der Gheer和Van Culemborch家族的徽章。可能的主人约翰内斯·德·维舍尔·范德盖尔（Johannes De Vissher van der Gheer，约 1527-1591 年）是库伦堡圣芭芭拉分会教堂的教士，后来是乌得勒支圣约翰分会教堂的牧师。他的座右铭"我们被海浪弯曲，而不是破碎"，不仅描述了下面描绘的牛肚子，还描述了1570年荷兰动荡的政治和宗教气候对佩戴者的影响。以色列人在沙漠中收集支撑他们的吗哪的描绘预示着圣体圣事的主人。这种提法在奉献的那一刻很明显，当时神父背对着崇拜者面向祭坛庆祝弥撒，将主持人高高举起。 [爱丽丝·兹雷别克，1996]
介绍（英）	In this very rare example of a tapestry-woven ecclesiastical vestment, the more expected materials and techniques are imitated in trompe l'oeil: the main fabric simulating a pomegranate velvet and the pictorial scene, embroidery. The chasuble is part of a set that also includes two dalmatics (one in The Metropolitan Museum of Art and the other in the Los Angeles County Museum of Art). All three vestments bear the coats-of-arms of the De Vissher-van der Gheer and Van Culemborch families. The probable owner, Johannes De Vissher van der Gheer (ca.1527–1591), was canon of the Chapter Church of Saint Barbara at Culemborg and later vicar of the Chapter Church of Saint John at Utrecht. His motto, "We are bent, not broken, by the waves," describes not only the bulrushes depicted below, but also perhaps the effects on the wearer of the tumultuous political and religious climate of the Netherlands in 1570. The depiction of the Israelites gathering the manna that sustained them in the desert prefigures the eucharistic host. This reference would be clearly apparent at the moment of the Consecration, when the priest, who at that time celebrated the Mass facing the altar with his back to the worshipers, raised the host on high. [Alice Zrebiec, 1996]