查尔斯一世 - 美国大都会艺术博物馆展品查阅

品名（中）	查尔斯一世
品名（英）	Charles I
入馆年号	1939年，39.13.7
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Wenceslaus Hollar【1607 至 1677】【波西米亚人】
创作年份	公元 1650 - 公元 1670
创作地区
分类	刺绣纺织品（Textiles-Embroidered）
尺寸	高 6 x 宽 4 1/2 英寸 (15.2 x 11.4 厘米)
介绍（中）	这幅刺绣肖像微型画《查理一世肖像》是 17 世纪专业刺绣最精美的例子之一。从国王佩戴的吊袜带勋章的蕾丝领子和奖章，到他眼睛和头发上的亮点，所有元素都用丝绸和金属线的细针呈现。许多类似的肖像在公共和私人收藏中幸存下来，进一步证明这些肖像是在专业工作室环境中制作的。然而，博物馆的例子是唯一已知的铭文"Deus meus est Rvpis mea Psa：18"，这是对诗篇 18：2-3 的引用，其中写道："耶和华是我的磐石和堡垒，也是我的拯救者;我的上帝，我所信靠的力量;我的扣子，我的救恩之角，我的高塔。我要呼求值得赞美的主：我也必从仇敌中得救。据说这首诗是查尔斯的最爱之一。肖像缩影可以理解为与"烈士国王"崇拜相关的纪念品，该崇拜是在 1649 年查理一世被斩首后发展起来的。该图像基于波希米亚艺术家瓦茨拉夫·霍拉尔（Wenceslas Hollar） 1641 年的版画，而该版画又取自宫廷画家安东尼·范·戴克（Anthony van Dyck，1599-1641 年）于 1632 年为查理一世和亨丽埃塔·玛丽亚王后绘制的正式肖像。这幅相同的图像出现在 1651 年 Reliquiae Sacrae Carolae 的卷首。
介绍（英）	This embroidered portrait miniature, Portrait of Charles I, is one of the most beautifully executed examples of professional embroidery from the seventeenth century. All of the elements, from the lace collar and medallion of the Order of the Garter worn by the king, to the highlights in his eyes and hair, are rendered in minute stitches of silk and metal thread. A number of similar portraits survive in public and private collections, further evidence that these were produced in a professional workshop setting. However, the Museum's example is the only one known to include the inscription "Deus meus est Rvpis mea Psa: 18," a reference to Psalm 18:2–3, which reads: "The Lord is my rock and my fortress, and my deliverer; my God, my strength in whom I trust; my buckler, and the horn of my salvation, and my high tower. I will call upon the Lord, who is worthy to be praised: so shall I be saved from mine enemies." This psalm was reputedly one of Charles' favorites. The portrait miniature can be understood as a commemorative object associated with the cult of the "Martyr King," which developed after the beheading of Charles I in 1649. The image was based on a 1641 engraving by the Bohemian artist Wenceslas Hollar, which was in turn taken from a 1632 formal portrait of Charles I and Queen Henrietta Maria by court painter Anthony van Dyck (1599–1641). This same image appears as the frontispiece for the 1651 Reliquiae Sacrae Carolae.