《安东尼与克利奥帕特拉的故事》中安东尼与克利奥帕特拉的相遇 - 美国大都会艺术博物馆展品查阅

品名（中）	《安东尼与克利奥帕特拉的故事》中安东尼与克利奥帕特拉的相遇
品名（英）	The Meeting of Antony and Cleopatra from a set of The Story of Antony and Cleopatra
入馆年号	1892年，92.1.9
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Justus van Egmont【1601 至 1674】【佛兰德人】
创作年份	公元 1645 - 公元 1677
创作地区
分类	纺织品挂毯（Textiles-Tapestries）
尺寸	高 163 x 宽 204 英寸 (414 x 518.2 厘米)
介绍（中）	这个小组描绘了安东尼第一次看到克利奥帕特拉的时刻，她坐在驳船的船尾，被打扮成丘比特的年轻人扇着扇子（正如普鲁塔克所描述的那样）。丘比特靠在驳船的船帆上，把箭对准了骑着一匹意气风发的马的安东尼。上卡托什的拉丁铭文写着"安东尼，被派去强迫她，被对她的爱所俘获。"这种旺盛的风格是尤斯图斯·范·埃格蒙特挂毯设计的典型，他将鲁本斯的戏剧性人物与翻滚的窗帘和装饰细节相融合。尽管构思日期未知，但这种设计的套装从1650年代初就在布鲁塞尔生产，显然很受欢迎。一些局部集合幸存下来，有些编号超过十个。
介绍（英）	This panel depicts the moment at which Antony first sees Cleopatra, who is riding in the stern of a barge, fanned by youths dressed as cupids (as described by Plutarch). Cupid, leaning against the sail of the barge, aims an arrow at Antony, who is riding a spirited horse. The Latin inscription in the upper cartouche reads "Antony, sent to compel her, is captured by love of her." The exuberant style is typical of the tapestry designs of Justus van Egmont, who blended the dramatic figures of Rubens with a relish for billowing draperies and decorative details. Although the date of conception is unknown, sets of this design were being produced in Brussels from the early 1650s, and it evidently enjoyed considerable popularity. Several partial sets have survived, some numbering more than ten pieces.