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美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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关于
品名(中)
架子
品名(英)
Étagère
入馆年号
1999年,
1999.50.2
策展部门
欧洲雕塑和装饰艺术
(
European Sculpture and Decorative Arts
)
创作者
创作年份
公元 1830 - 公元 1865
创作地区
分类
木工家具
(Woodwork-Furniture)
尺寸
整体: 53 1/2 × 25 × 16 英寸 (135.9 × 63.5 × 40.6 厘米)
介绍(中)
étagère,也被称为whatnot,在19世纪成为一种流行的家具形式。各种各样的架子为展示堆积的小装饰品提供了额外的空间,这些小装饰品是典型的英国中产阶级装饰。这款étagère的起伏轮廓和敞篷车腿是洛可可复兴风格的特色。黑漆和珍珠母装饰的表面模仿了18世纪安装在法国皇家家具上的日本漆
造纸技术最早在印度和亚洲其他地区发展起来。制作纸制家具的过程要么是将多张纸粘贴在成型芯上,要么是在模具或基质之间压制纸浆以形成各种形状。一旦干燥,所得材料就可以像木头一样雕刻和抛光。作为一种原材料,papier-mâché被设计成用珍珠母、玻璃和石头镶嵌或应用
英国最早提到这种材料的是物理学家罗伯特·博伊尔在他的文章《人类对自然事物的无知》(1671年)中提出的,该文章表明纸最适合用作相框和"各种浮雕作品和其他奇怪的动产"。到18世纪中期,papier-mâché开始更频繁地使用,但到19世纪40年代,14项用于papier-máché工艺的专利被取消,这一数字惊人地高。不幸的是,纸制家具的早期成功导致其质量和装饰的下降,并最终导致其衰落。
介绍(英)
The étagère, also called a whatnot, became a popular form of furniture in the nineteenth century. The variety of shelves provided extra space for the display of the accumulation of knickknacks that was typical of English middle-class decorating. The undulating silhouette and cabriole legs of this étagère are characteristic of the Rococo Revival style. The black painted and mother-of-pearl decorated surface imitates Japanese lacquer that was mounted into French royal furniture in the eighteenth century.
The technique for making papier-mâché was first developed in India and in other parts of Asia. The process for making papier-mâché furniture was achieved either by pasting multiple sheets of paper over shaped cores, or by pressing paper pulp between dies or matrices to form a variety of shapes. Once dried, the resulting material could be carved and polished like wood. Considered a raw material, papier-mâché was intended to be japanned and inlaid or applied with mother-of-pearl, glass, and stones.
The earliest reference to the material in England is made by the physicist Robert Boyle in his essay "Of Men's Ignorance of the Uses of Natural Things" (1671), which indicated that papier-mâché was most suitable for picture frames and "divers pieces of embossed work and other curious movables." By the mid-eighteenth century, papier-mâché began to be used with more frequency but by the 1840s, fourteen patents, a surprisingly highnumber, for papier-mâché processes were taken out. Unfortunately, the early success of papier-mâché furniture led to the debasement of its quality and decoration, and eventually to its decline.
架子
钥匙
《学习用货车包围营地的白国王》,摘自Der Weisskunig
从Weehawken拍摄的纽约视图(北美-纽约州)
天花板装饰设计,板3来自“不同的新发明毯子或天花板”
《女演员》系列(N664)中的女演员,手放在腰后站立,宣传旧时尚细切烟草
掩蔽
哀悼披肩
管事牧羊人的葬礼锥体
剪切片段
大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。