瓶子 - 美国大都会艺术博物馆展品查阅

品名（中）	瓶子
品名（英）	Bottle
入馆年号	1982年，1982.27
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者
创作年份	公元 1720 - 公元 1730
创作地区
分类	陶瓷瓷出口（Ceramics-Porcelain-Export）
尺寸	高: 9 1/2 英寸 (24.1 厘米)
介绍（中）	除了康熙皇帝自己说的"我们在很短的时间内学会了制造优于西方制造的玻璃器皿"之外，再也找不到比这更好的证据来证明中国对欧洲玻璃的熟悉了。这个瓶子的形状是东方的，但装饰风格是威尼斯的，它的存在必须归功于这种熟悉。这是对16世纪瓷器介质的一个显著的转变：将吹制棒融入透明的玻璃基质中，通常是白色的，但有时会着色以产生垂直或螺旋条纹的图案这个瓶子是已知的仅有的三种能唤起玻璃技术的出口瓷器模型之一，但它不会直接复制自意大利的例子，因为它的形状直到后来才出现。17世纪，威尼斯玻璃在北欧被广泛模仿，瓶子可能是从威尼斯模型的荷兰玻璃改编而来的。然而，它也可能来源于代尔夫特的一个版本。
介绍（英）	No better evidence of familiarity with European glass in China need be sought beyond Emperor K’ang His’s own statement that during his reign "we learned in a short time to make glassware that is superior to that made in the West." This bottle, Eastern in shape but Venetian in decorative style, must ow itse existence to this familiarity. It is a remarkable translation into the porcelain medium of the sixteenth-century vetro a fili technique: the incorporation into a clear glass matrix of blown rods—usually white, but sometimes colored—to produce a pattern of vertical or spiraling stripes. The bottle is one of only three known models of export porcelain that evoke glass techniques, but it would not have been copied directly from an Italian example since the shape does not occur until later. Venetian glass was widely imitated in northern Europe in the seventeenth century, and the bottle could have been copied from a Dutch glass adaptation of a Venetian model. It could also, however, derive from a version in Delft faïence.