花瓶（日本茉莉花） - 美国大都会艺术博物馆展品查阅

品名（中）	花瓶（日本茉莉花）
品名（英）	Vase (jasmin japonais)
入馆年号	1978年，1978.373
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Sèvres Manufactory【1740 至现在】【法国人】
创作年份	公元 1834
创作地区
分类	陶瓷-瓷器（Ceramics-Porcelain）
尺寸	高: 13 1/2 英寸 (34.3 厘米)
介绍（中）	在十九世纪的大部分时间里，名人肖像是Sèvres流行的装饰主题。这只花瓶最初是一对花瓶中的一个，上面画着意大利文艺复兴时期伟大艺术家拉斐尔的肖像。它的伴侣，现在已经不见了，有一幅他的同时代艺术家米开朗基罗的肖像。拉斐尔的肖像采用了一种模仿古代客串的技术，这种装饰在19世纪初的工厂里得到了完善。在亚历山大·布朗尼亚特（Alexandre Brongniart，1770–1847）担任导演期间，肖像画和各种模仿客串技术的构图是一种常见的装饰方案，他对矿物学的浓厚兴趣可能为这种特殊的绘画风格提供了动力 Sèvres工厂档案表明，这只花瓶及其对是法国国王路易·菲利普购买的，并于1834年8月23日交付给圣克劳德城堡"为国王和王室服务"。
介绍（英）	format Portraits of famous men were a popular decorative motif at Sèvres throughout much of the nineteenth century. This vase, originally one of a pair, is painted with a portrait of Raphael, the great artist of the Italian High Renaissance. Its mate, now lost, bore a portrait of his contemporary and fellow artist Michelangelo. Raphael's likeness is executed in a technique that imitates ancient cameos, a type of decoration that was perfected at the factory in the early nineteenth century. Portraits and various compositions executed in the imitation cameo technique were a common decorative scheme during the directorship of Alexandre Brongniart (1770–1847), whose great interest in mineralogy may have provided the impetus for this particular style of painting. The Sèvres factory archives indicate that this vase and its pair were purchased by the French king Louis-Philippe and were delivered to the château of Saint-Cloud "for the service of the king and royal family" on August 23, 1834.