扶手椅（bergère）（一对之一） - 美国大都会艺术博物馆展品查阅

品名（中）	扶手椅（bergère）（一对之一）
品名（英）	Armchair (bergère) (one of a pair)
入馆年号	1971年，1971.206.5
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Louis I Cresson【1706 至 1761】【法国人】
创作年份	公元 1760 - 公元 1770
创作地区
分类	木工家具（Woodwork-Furniture）
尺寸	高 39-7/8 x 宽 32 x 深 23-1/2 英寸 (101.3 x 81.3 x 59.7 厘米)
介绍（中）	这种扶手椅，在扶手和座椅之间有软垫，被称为贝格尔扶手椅。它是在路易十五统治初期引入的，当时家具变得不那么正式，并随着最新的时尚而变化，成为一种更舒适的座椅家具。事实上，扶手从座椅扶手的前角向后放置，以容纳新推出的名为"àpanier"的宽大连衣裙。框架外背面的雕刻装饰表明，这些椅子旨在用于房间的中心，而不是作为墙壁装饰的一部分靠着镶板放置这些贝格尔是在1760年左右制作的，可能是由木匠（menuisier）Louis I Cresson制作的。L.CRESSON标志印在其中一把椅子的框架下面。然而，很难确切地将这枚邮票归因于克雷松家族的某个特定成员，因为他们中有10人是18世纪巴黎家具制造商协会（Parisian Guild of futuremakers）的大师，其中4人被称为路易。Louis I Cresson的工作室在巴黎很有名，名为"L’image de Saint Louis"，他的著名客户包括孔戴王子和奥尔良公爵。他的扶手椅采用洛可可风格，以其雕刻有花朵和树叶图案的山毛榉木镀金框架而闻名。装饰精美典雅，是克雷森作品的象征。
介绍（英）	This kind of armchair, upholstered between the arms and the seat, is called a bergère. It was introduced at the beginning of Louis XV’s reign, when furniture became less formal and changed according to the latest fashions, as a more comfortable piece of seat furniture. In fact, the armrests are set back from the front corner of the seat rail to accommodate the newly introduced voluminous dresses called “à panier”. The incised decoration on the outer back of the frame suggests that these chairs were intended to be used in the center of the room rather than to be placed against the paneling as part of the wall decoration. These bergères were made around 1760, probably by the joiner (menuisier) Louis I Cresson. The mark L.CRESSON is stamped underneath the frame of one of these chairs. It is difficult, however, to attribute this stamp with certainty to a particular member of the Cresson family since ten of them were masters of the Parisian Corporation des Menuisiers-Ébénistes (Parisian Guild of furniture makers) in the eighteenth century, four of whom were called Louis. Famous in Paris, Louis I Cresson’s workshop was called « L’image de Saint-Louis » and among his prestigious clients were the Prince of Condé and the Duke of Orléans. Executed in the rococo style, his armchairs are known for their gilded frames in beechwood carved with flowers and leaf motifs. With their fine and elegant decoration, they are emblematic of Cresson’s work.