盘子 - 美国大都会艺术博物馆展品查阅

品名（中）	盘子
品名（英）	Plate
入馆年号	1962年，62.165.1
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Sèvres Manufactory【1740 至现在】【法国人】
创作年份	公元 1791
创作地区
分类	陶瓷-瓷器（Ceramics-Porcelain）
尺寸	Diameter: 9 9/16 英寸 (24.3 厘米)
介绍（中）	塞夫尔工厂直到 1769 年才掌握硬膏瓷的生产。与软膏瓷相比，硬膏陶瓷主体更优越：它更白，更耐用，通常可以灌封或更薄地成型。然而，具有讽刺意味的是，这种较白的瓷器——所有软膏瓷器工厂的目标——往往被覆盖整个可见表面的地面颜色完全掩盖。强烈的色彩和模拟其他材料的彩绘表面在十八世纪后期非常流行。这款硬膏瓷盘以模仿亚洲黑漆的风格装饰。这幅画以两种色调的金色进行，黑色地面上有铂金高光。中心和沿边界的简短景观反映了一种称为中国风的装饰。这些欧洲人想象的对亚洲场景的幻想描绘通常包括穿着东方服装的人物和几乎没有现实基础的异国情调的风景。然而，中国风场景体现了十八世纪远东对欧洲人的神秘和诱惑，并作为家具、墙板、银器以及陶瓷的装饰品类别而广受欢迎。 [杰弗里·芒格]
介绍（英）	The Sèvres factory did not master the production of hard-paste porcelain until 1769. In comparison to soft-paste porcelain, the hard-paste ceramic body was superior: it was whiter, more durable, and usually could be potted or molded more thinly. There is an irony, however, in the fact that this whiter porcelain—the goal of all soft-paste porcelain factories—was often completely obscured by ground colors that covered the entire visible surface. Strong colors and painted surfaces that simulated other materials were very much in fashion in the late eighteenth century. This hard-paste porcelain plate is decorated in a style that imitates Asian black lacquer. The painting is executed in two tones of gold with platinum highlights on a black ground. The abbreviated landscapes in the center and along the border reflect a type of decoration known as chinoiserie. These fanciful depictions of Asian scenes as imagined by Europeans usually include figures in oriental dress and exotic landscapes that have little basis in reality. Chinoiserie scenes, however, embodied the mystique and allure of the Far East for Europeans in the eighteenth century, and were popular as a category of decoration for furniture, wall paneling, and silver, as well as ceramics. [Jeffrey H. Munger]