Croome Court挂毯室的木制品和天花板 - 美国大都会艺术博物馆展品查阅

品名（中）	Croome Court挂毯室的木制品和天花板
品名（英）	Woodwork and ceiling from the Tapestry Room from Croome Court
入馆年号	1958年，58.75.1a
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Robert Adam【1728 至 1792】【英国、苏格兰人】
创作年份	公元 1755 - 公元 1774
创作地区
分类	木工制品（Woodwork）
尺寸	整体: 27 ft. 1 英寸 × 22 ft. 8 英寸 × 13 ft. 10 3/4 英寸 (825.5 × 690.9 × 423.5 厘米)
介绍（中）	Lancelot"Capability"Brown（1718-1783）负责克鲁姆法院的场地规划和房屋设计，这是他在建筑领域的第一篇文章。1751年至1760年间，罗伯特·亚当（1728年至1792年）取代布朗成为考文垂勋爵的建筑师，部分室内设计采用了布朗的设计。挂毯室位于房子的主楼层，朝南，位于柱状门廊远端的两扇窗户后面，如理查德·威尔逊（1714-1782）1758年的画作所示亚当的天花板钢笔和墨水设计日期为1763年1月，也就是约瑟夫·罗斯（1746–1799）进行抹灰工作的那一年。房间建筑元素的其他工匠的名字被记录在建筑和家具账目中，这些账目都保存了下来。窗户和门框、底板和椅子扶手的雕刻由塞弗林·阿尔肯完成（1744-83年法令）。嵌片镶嵌物中的青金石石碑由Joseph Wilton（1722-1803）提供；约翰·威尔德史密斯（1746–69年）于1760年亲自雕刻了这件大理石嵌件。橡木地板是原来的，是根据博物馆还在原地时制作的图表铺设的来自伍斯特郡克鲁姆法院的挂毯室是考文垂伯爵的所在地，始建于1763年，竣工于1771年。1763年8月，第六代考文垂伯爵（1722-1809）委托雅克·尼尔森在巴黎皇家戈贝林制造厂的工作室为克鲁姆宫廷制作这些挂毯。这些奖章以弗朗索瓦·鲍彻的设计为基础，描绘了古典神话中象征这些元素的场景。这些奖章以弗朗索瓦·鲍彻的设计为基础，描绘了古典神话中象征这些元素的场景。该套装于1771年6月交付并就位。该小组是第一个使用这种深红色背景编织的设计，也可能是第一个专门在没有建筑框架的情况下围绕房间的四面墙延伸的设计。
介绍（英）	Lancelot "Capability" Brown (1718–1783) was responsible for the plan of the grounds at Croome Court and for the design of the house, which was his first essay in architecture. Parts of the interior were executed from Brown's designs between 1751 and 1760, when Robert Adam (1728–1792) replaced him as architect of Lord Coventry. The Tapestry Room was on the main floor of the house, facing the south, and lay behind the two windows on the far side of the columnar portico, as shown in the painting of 1758 by Richard Wilson (1714–1782). Adam's pen-and-ink design for the ceiling is dated January 1763, the year the plasterwork was carried out by Joseph Rose (1746–1799). The names of the other craftsmen who worked on the architectural elements of the room are recorded in the building and furnishing accounts for the house, which have survived. The carving of the window and door frames, baseboard, and chair rail was executed by Sefferin Alken (act. 1744–83). The lapis lazuli tablet in the chimneypiece entabulature was provided by Joseph Wilton (1722–1803); John Wildsmith (act. 1746–69) carved the marble chimneypiece itself in 1760. The oak floor is the original and was laid down at the Museum following a diagram made while it was still in situ. The Tapestry Room from Croome Court, Worcestershire, the seat of the Earls of Coventry, was begun in 1763 and finished in 1771. The sixth Earl of Coventry (1722–1809) commissioned these tapestries for Croome Court from Jacques Neilson's workshop at the Royal Gobelins Manufactory in Paris in August 1763. Portraying scenes from classical myths symbolizing the elements, the medallions are based on designs by François Boucher. Portraying scenes from classical myths symbolizing the elements, the medallions are based on designs by François Boucher. The set was delivered and in place by June 1771. The group was the first using this design to be woven with a crimson background and it may have been the first made specifically to extend around four walls of a room without architectural frames.