烧杯 - 美国大都会艺术博物馆展品查阅

品名（中）	烧杯
品名（英）	Beaker
入馆年号	1948年，48.187.314
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Claude-Alexis Moulineau【1648 至 1748】
创作年份	公元 1734 - 公元 1735
创作地区
分类	金属制品银（Metalwork-Silver）
尺寸	高: 2 3/4 英寸 (7 厘米)
介绍（中）	18世纪上半叶，钟形或郁金香形的烧杯成为整个法国使用的主要形式。装饰通常由贝兰式肩带组成，无论是浮雕还是雕刻，轮辋周围都有兰布雷金雕刻，脚上有牛车花纹这个烧杯可能是梳妆台的一个部件，但同样也可能是主人外出时使用的餐具和其他餐具的一部分尽管很难确定这一时期的银烧杯中到底会饮用什么饮料，但它们可能含有水、烈酒、啤酒，甚至是热的、加香料的葡萄酒。它们也可能被用于咖啡，如17世纪晚期雕刻中所示，当时饮料是在温和的温度下供应的十八世纪陶瓷制造业的迅速发展，以及从中国大量进口，导致了瓷器和玻璃取代了银制饮用器皿 Weyerhaeuser木材公司创始人之一凯瑟琳·D·温特沃斯（Catherine D.Wentworth，1865-1948）的女儿是一名艺术学生和画家，在法国生活了三十年。她成为18世纪法国白银最重要的美国收藏家之一，1948年去世后，她将自己重要的白银、金盒、法国家具和纺织品藏品的一部分遗赠给了大都会博物馆。这批藏品在国内白银中尤为丰富，其中大部分是省级的，包括一些罕见的早期作品。
介绍（英）	Bell or tulip-shaped beakers became the dominant form used throughout France in the first half of the eighteenth century. The decoration frequently consists of Berain-type strapwork, either in relief or engraved, lambrequin engraving around the rim, and gadrooning on the foot. This beaker may have been a component of a dressing table set but equally could have been part of a set of cutlery and other dining implements to be used when the owner was traveling. Although it remains difficult to establish exactly what beverages would be taken in silver beakers of this period, they may have held water, spirits, beer or even hot, spiced wine. They may also have been used for coffee as illustrated in late seventeenth-century engravings when the beverage was served at a tepid temperature. The rapid development of ceramic manufacturing in the eighteenth century as well as the vast imports from China led to the replacement of silver drinking vessels by porcelain as well as glass. Daughter of one of the founders of the Weyerhaeuser Timber Company, Catherine D. Wentworth (1865-1948) was an art student and painter who lived in France for thirty years. She became one of the most important American collectors of eighteenth-century French silver and on her death in 1948 bequeathed part of her significant collection of silver, gold boxes, French furniture and textiles to the Metropolitan Museum. The collection is particularly strong in domestic silver, much of it provincial, and includes a number of rare early pieces.