花瓶 - 美国大都会艺术博物馆展品查阅

品名（中）	花瓶
品名（英）	Vase
入馆年号	2018年，2018.294.21
策展部门	美国之翼（The American Wing）
创作者	Chelsea Keramic Art Works【1872 至 1889】【美国人】
创作年份	公元 1874 - 公元 1888
创作地区	制造于: 美国, 马萨诸塞州, 切尔西（Made in: United States, Massachusetts, Chelsea）
分类
尺寸	12 5/8 x 5 5/8 英寸 (32.1 x 14.3 厘米)
介绍（中）	切尔西凯拉米克艺术作品是第一家将自己指定为"艺术陶器"的美国陶瓷公司。它由罗伯逊家族的成员在马萨诸塞州切尔西创立，他们在来到这个国家之前都在英国的陶瓷行业磨练了自己的技能。陶器背后的指导力量休·罗伯逊（Hugh Robertson）创作的作品不仅受到古典希腊陶器的启发，还受到与英国改革设计一致的形式和装饰的启发。这个花瓶的棱角分明的形状与Christopher Dresser为英国公司Watcombe和Linthorpe开发的创新形状以及他为各种制造商构思的玻璃和金属制品产生了共鸣。容器的形状、小支架和花卉装饰的更直接来源是日本艺术——同样受到德莱塞的赞赏。这个花瓶的特点是用白色粘土制成的完全建模的虹膜，上面是红色的芥末色釉料。这种自然渲染和不对称排列的浮雕植物喷雾符合 1870 年代末和 1880 年代美学运动的装饰品味（另见 2018.294.29; 2018.294.31）。这个花瓶来自2017年和2018年捐赠给大都会博物馆的美国艺术陶器小罗伯特·A·埃里森收藏。收藏中的作品可以追溯到 1870 年代中期至 1950 年代。它们共同构成了已知最全面和最重要的材料组合之一。
介绍（英）	The Chelsea Keramic Art Works was the first American ceramics firm to designate itself an "art pottery." It was founded in Chelsea, Massachusetts, by members of the Robertson family, all of whom had honed their skills in the ceramics industry in Britain before coming to this country. Hugh Robertson, the guiding force behind the pottery, created work that was not only inspired by classical Greek pottery but also by forms and decoration that align with English Reform design. The angular shape of this vase resonates with the innovative shapes developed by Christopher Dresser for the English firms Watcombe and Linthorpe, as well as the glass and metalwork he conceived for various manufacturers. The more direct source for the vessel’s shape, small stand, and floral decoration was Japanese art—equally admired by Dresser. This vase features a fully modeled iris in white clay over a reddish, mustard-colored glaze. Such naturalistically rendered and asymmetrically arranged plant sprays in relief conformed to the decorative taste of the Aesthetic Movement in the late 1870s and 1880s (see also 2018.294.29; 2018.294.31). This vase is from the Robert A. Ellison Jr. Collection of American art pottery donated to the Metropolitan Museum in 2017 and 2018. The works in the collection date from the mid-1870s through the 1950s. Together they comprise one of the most comprehensive and important assemblages of this material known.