亚当 - 美国大都会艺术博物馆展品查阅

品名（中）	亚当
品名（英）	Adam
入馆年号	1936年，36.163
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Tullio Lombardo【1455 至 1532】
创作年份	公元 1485 - 公元 1500
创作地区
分类	雕塑（Sculpture）
尺寸	整体: 6 ft. 3 1/2 英寸, 770 磅 (191.8 厘米, 349.2697kg)
介绍（中）	Tullio Lombardo来自威尼斯一个享有盛誉的雕塑家和建筑师家庭。他为多格·安德里亚·文德拉明（公元1478年）建造的陵墓，现在位于S.S.Giovanni e Paolo的长方形会堂内，是文艺复兴时期威尼斯最奢华的葬礼纪念碑。它最初包含了这个真人大小的亚当雕像，由雕塑家在底座上签名亚当的雕像显然是古典主义的，罗马凯旋门的建筑框架也是如此，他以前在凯旋门上与夏娃的雕像配对。《亚当》以安蒂诺斯和巴克斯的古代人物组合为基础，以近乎阿提克式的简洁演绎。进一步的改进是他有意义的眼神和雄辩的双手（其中一只手拿着诱惑之苹果），树干上装饰着蛇和葡萄藤，暗指人类的堕落和救赎；1810年-19年左右，纪念碑被移交给党卫军时，它因拘谨而被移除。Giovanni e Paolo。
介绍（英）	Tullio Lombardo came from a prestigious family of sculptors and architects in Venice. His tomb for Doge Andrea Vendramin (d. 1478) now in the basilica of S.S. Giovanni e Paolo, is the most lavish funerary monument of Renaissance Venice. It originally contained this lifesize figure of Adam, signed on the base by the sculptor. The figure of Adam is clearly classicized, as is the architectural framework derived from the Roman triumphal arch in which he was formerly paired with a figure of Eve. Adam is based on a combination of antique figures of Antinous and Bacchus, interpreted with an almost Attic simplicity. Further refinements are his meaningful glance and eloquent hands (one holding the Apple of Temptation) and the tree trunk adorned with a serpent and a grapevine, allusions to the Fall and Redemption of Man. Remarkable for the purity of its marble and the smoothness of its carving, Adam was the first monumental classical nude carved following antiquity; prudery led to its removal from display around 1810–19, when the monument was transferred to SS. Giovanni e Paolo.