花瓶 - 美国大都会艺术博物馆展品查阅

品名（中）	花瓶
品名（英）	Vase
入馆年号	1923年，23.31.2
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Haviland & Co.【1864 至 1931】【美国和法国人】
创作年份	公元 1882 - 公元 1886
创作地区
分类	陶瓷陶器（Ceramics-Pottery）
尺寸	高 12 1/2 英寸 (31.8 厘米)
介绍（中）	十九世纪最后几十年，法国的先锋陶艺家决心将陶器视为真正的艺术作品，将其工艺转变为一种智力和情感的努力。这场复兴的先驱是让·卡里埃、欧内斯特·卓别林、泰奥多尔·戴克和奥古斯特·德拉赫什。这些革命性的艺术家陶艺家接受了手工传统，同时通过彻底的实验追求失去的技术。作为对他们所认为的过度和不当使用装饰的回应，他们遵循欧洲新艺术风格的原则，庆祝了其媒介的简洁和真诚。基于英国工艺美术运动的原则，新艺术主义艺术家试图通过强调独特性和回归工艺来改革装饰艺术。艺术家陶艺家从亚洲陶瓷中获得灵感，特别是1878年在巴黎万国博览会上展出的日本石器（一种坚硬、致密的陶器），以及中国瓷器和陶器的形式、釉料和技术。他们还借鉴了欧洲的传统，如16世纪和17世纪的乡村盐釉石器以及哥特式雕塑和建筑。在这个过程中，他们创作了全新的陶瓷艺术作品。
介绍（英）	Determined that pottery vessels should be regarded as true works of art, avant-garde ceramicists in France in the last decades of the nineteenth century transformed their craft into an intellectual and emotional endeavor. The pioneers of this revival were Jean Carriès, Ernest Chaplet, Théodore Deck, and Auguste Delaherche. These revolutionary artist-potters embraced artisanal traditions while pursuing lost techniques through exhaustive experimentation. Reacting to what they viewed as an excessive and improper use of ornament, they celebrated the simplicity and sincerity of their medium, following the tenets of the Art Nouveau style taking place in Europe. Based on the principles of the British Arts and Crafts movement, Art Nouveau artists sought to reform the decorative arts by emphasizing uniqueness and a return to craftsmanship. Artist-potters found inspiration in Asian ceramics, particularly Japanese stoneware (a hard, dense type of pottery), which was shown in 1878 at the Exposition Universelle in Paris, as well as in the forms, glazes, and techniques of Chinese porcelain and pottery. They also looked to European traditions such as the rustic salt-glazed stoneware of the sixteenth and seventeenth centuries and Gothic sculpture and architecture. In the process they created works of ceramic art that were entirely modern and new.