作为镜架安装的卸压阀 - 美国大都会艺术博物馆展品查阅

品名（中）	作为镜架安装的卸压阀
品名（英）	Relief mounted as a mirror frame
入馆年号	1917年，17.190.620
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Wenzel Jamnitzer【1507 至 1585】【德国人】
创作年份	公元 1563 - 公元 1573
创作地区
分类	金属制品银（Metalwork-Silver）
尺寸	整体: 11 5/8 × 9 1/8 英寸 (29.5 × 23.2 厘米)
介绍（中）	温策尔·詹尼策是德语区最伟大的礼仪主义金匠。1543年，纽伦堡市任命他为硬币和印章模切工，1552年，任命他为城市铸币局局长（克拉拉·罗森伯格，17.190.468），从而承认他是纽伦堡所有金匠中最重要的。作为哈布斯堡王朝的金匠，他曾为四位皇帝服务。他的名气很大程度上是建立在高度创造性的物品和为王子般的好奇心橱柜安装的自然风格之上的。这种浮雕框架的设计采用了詹尼策的论文《透视规则》（1568）的标题页，体现了七门文科中的四门——算术、几何、透视和建筑。这面边缘有刻面的卵形镜子的特点是有一只戴着repossésilver王冠的狮子——这显然是指詹尼策的制造商标记，狮子头上方的字母"W"。艺术家的肖像或王子的第一任主人的肖像可能被安装在下面的椭圆形中。这个物体是一个珍贵的银色书皮的一部分，后来被重新配置为镜子。浮雕最初很可能是詹尼策书的游行版封面。它可以为詹尼策本人或其第一任主人装裱一幅肖像，用不同的媒介制作，如珐琅、微型肖像画或异国情调的材料。1587年，这篇著名论文的一个版本被记录在德累斯顿，保存在萨克森选帝侯的Kunstkammer。
介绍（英）	Wenzel Jamnitzer was the greatest Mannerist goldsmith in the German-speaking areas. The city of Nuremberg appointed him a coin and seal die-cutter in 1543 and, in 1552, master of the city mint (Clara Rosenberger, 17.190.468), thus recognizing him as the foremost among all Nuremberg goldsmiths. As an imperial goldsmith to the Habsburg court, he served no fewer than four emperors. Much of his fame was based on highly inventive objects and mounted naturalia for princely curiosity cabinets. The design of this relief frame, with personifications of four of the seven liberal arts-Arithmetic, Geometry, Perspective, and Architecture-was adopted from the title page of Jamnitzer's treatise Perspectiva corporum regularium (1568). The ovoid mirror with faceted edges is distinguished by a crowning lion in repoussé silver-a clear reference to Jamnitzer's maker's mark, the letter "W" above a lion's head. A portrait of the artist or of a princely first owner may have been mounted in the oval below. The object was part of a precious silver book cover that was subsequently reconfigured as a mirror. The relief was originally most likely the cover for a parade edition of Jamnitzer's book. It could have framed a portrait of Jamnitzer himself or its first owner, executed in a different medium such as enamel, miniature portrait painting, or exotic materials. One such edition of the famous treatise is recorded in Dresden in 1587, where it was kept in the Kunstkammer of the Elector of Saxony.