国王的崇拜 - 美国大都会艺术博物馆展品查阅

品名（中）	国王的崇拜
品名（英）	Adoration of the Kings
入馆年号	1914年，14.40.706
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Bernard van Orley【1492 至 1542】【荷兰人】
创作年份	公元 1525 - 公元 1535
创作地区
分类	纺织品挂毯（Textiles-Tapestries）
尺寸	高 4 ft. 2 英寸 (1.27 m.), 宽 5 ft. (1.52 m.)
介绍（中）	虽然尺寸不大，但这种丰富的虔诚挂毯，以最昂贵的原材料编织了精湛的技术，体现了与 16 世纪早期布鲁塞尔相关的最高端生产。与其外表吸引力相辅相成的是其设计师伯纳德·范·奥利（Bernard van Orley）的才能，他被奥地利的玛格丽特和随后的匈牙利玛丽钦佩的官方宫廷画家。随着转瞬即逝的动静，华丽的帷幔滚滚而来，三位国王进入了这个场景，仿佛刚刚从左右边界后面大步走进了挂毯。这是设计范奥利的更动态版本，也是在一幅现在被费城艺术博物馆收藏的画作中用油画在面板上执行的。范·奥利（Van Orley）或他的工作室成员也在大都会博物馆的绘画（2014.100）本身的相关和扩展场景中探索了这种构图，显然是更大的挂毯设计。
介绍（英）	Though small in size, this rich devotional tapestry, woven with virtuoso technique in the priciest of raw materials, embodies the highest end production associated with early sixteenth-century Brussels. Complementing its physical appeal was the caliber of its designer, Bernard van Orley, wo was admired official court painter to both Margaret of Austria and, subsequently, Mary of Hungary. With fleeting movement, gorgeously observed draperies billowing, the three kings launch themselves into this scene, as if having just strode into the tapestry from behind its left and right borders. This is a more dynamic version of a design van Orley also executed in oil on panel in a painting now in the collection of the Philadelphia Museum of Art. Van Orley, or a member of his workshop, also explored this composition in a related and extended scene in The Met’s drawing (2014.100) itself, apparently, a design for a larger tapestry.