带有代表非洲奖杯的小组 - 美国大都会艺术博物馆展品查阅

品名（中）	带有代表非洲奖杯的小组
品名（英）	Panel with trophy representing Africa
入馆年号	1907年，07.225.100a
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者
创作年份	公元 1775 - 公元 1785
创作地区
分类	木工制品（Woodwork）
尺寸	整体: 88 5/8 × 23 1/2 英寸 (225.1 × 59.7 厘米)
介绍（中）	每块面板上都雕刻着一个奖杯，奖杯由悬挂在流苏缎带上的武器和盔甲组成：在古代，为了纪念军事胜利，人们会将从敌军手中缴获的武器悬挂在树上或寺庙上。橡树枝被添加到07.225.100a的军事符号中。月桂枝、月桂花环和罗马皇帝或将军肖像上方的SPQR（Senatus Populusque Romanus或Senate and the Roman People的缩写）标准被添加到了07.225.1000b的武器和盔甲中。这块面板上有马的盾牌和另一块面板上有狮子的盾牌，分别象征欧洲和非洲，并暗示了一个最初更大的木制品组合，参考了四大洲，这是18世纪流行的装饰主题。这些雕刻去掉了原来的油漆层，可能用作门或百叶窗面板这对镶板曾经是Maison Leys的木制品、镶板和座椅家具模型系列的一部分，Maison Leyes是一家位于巴黎马德兰广场的成功装饰企业。自1885年起，该公司由乔治·霍恩舍尔（Georges Hoentschel）领导，他于1903年在巴黎法兰德林大道（Boulevard Flandrin）的一个博物馆式展览中安装了这些藏品。三年后，霍恩切尔将这些藏品卖给了J·皮尔庞特·摩根，后者于1907年将这些嵌板以及装饰师17世纪和18世纪的其他物品交给了大都会艺术博物馆。
介绍（英）	The panels are each carved with a trophy comprising arms and armor suspended from a tasseled ribbon: in antiquity, military victories were commemorated with a display of arms captured from enemy troops and hung on a tree or temple. Oak branches are added to the martial symbols on 07.225.100a. Laurel branches, a laurel wreath and a standard with SPQR (short for Senatus Populusque Romanus or the Senate and the Roman People) above a portrait of a Roman emperor or general are added to the arms and armor on 07.225.100b. The shield with the horse on this panel and the one with a lion on the other, symbolize Europe and Africa respectively, and suggest an originally larger ensemble of woodwork with references to the four continents, a popular decorating theme during the eighteenth-century. Stripped of their original paint layer, these carvings may have served as door or shutter panels. This pair of panels was once part of the model collection of woodwork, paneling, and seat furniture of Maison Leys, a successful decorating business, located at the Place de la Madeleine in Paris. Since 1885 the business was directed by Georges Hoentschel who installed the collection in 1903 in a museum-like display at Boulevard Flandrin, Paris. Three years later, Hoentschel sold the collection to J. Pierpont Morgan who gave the panels with the rest of the decorator’s seventeenth and eighteenth century objects to the Metropolitan Museum of Art in 1907.