连衣裙 - 美国大都会艺术博物馆展品查阅

品名（中）	连衣裙
品名（英）	Dress
入馆年号	2009年，2009.300.943
策展部门	服装研究所（Costume Institute）
创作者
创作年份	公元 1813 - 公元 1817
创作地区
分类
尺寸
介绍（中）	这件连衣裙呈现了活泼而引人入胜的纺织品，其整体小印花。这种风格的印刷品在十几岁时需求量很大，虽然此时它可以在新英格兰制造，但它可能是从英国进口的，英国在此期间大量出货。帝国的轮廓很容易识别出它起源于古希腊罗马人的奇顿，这是一种从肩膀上垂下来的管状服装，有时系在胸围下方。在整个服装史上发生了几次重新诠释，但没有一个像18世纪的矩形Panierred裙子和19世纪的圆锥形箍裙那样引人注目。法国大革命后，新古典主义风格被采用在各种装饰形式中，并在拿破仑战争期间得到维护，部分原因是拿破仑·波拿巴（1769-1821）与希腊罗马原则的联盟。在时尚方面，这种风格最初是由细白棉制成的童装，但被女性采用管状连衣裙的形式，裙子聚集在胸围下方，在后面的垫子上有一些丰满感。随着款式的发展，裙子在前面开始变平，只从中央后面的紧身胸衣聚集。这种风格一直持续到 1820 年代，当时腰部慢慢降低，裙子变得更加钟形。
介绍（英）	This dress presents a lively and engaging textile with its overall small prints. This style of print was in high demand in the teens and although it could have been made in New England by this time, it was probably imported from England, which shipped large quantities throughout the period. The Empire silhouette is readily identified with its origins in the chiton of ancient Greco-Romans, which was a tubular garment draped from the shoulders and sometimes belted beneath the bust. Several re-interpretations have occurred throughout costume history but none have been as notable as the period bridging the rectangular panierred skirts of the 18th century and the conical hoop skirts of the 19th century. The neoclassic style was adopted in all forms of decoration after the French Revolution and was upheld during the Napoleonic Wars partly due to Napoleon Bonaparte's (1769-1821) alliance with Greco-Roman principles. In fashion, the style began as children's wear made from fine white cotton, but was adopted by women in the form of a tubular dress with skirts that were gathered under the bust with some fullness over a pad at the back. As the style progressed the skirts began to flatten at the front and solely gather from the bodice at the center back. The style persisted until the 1820s when the waist slowly lowered and the skirts became more bell shaped.