法庭陈述合奏 - 美国大都会艺术博物馆展品查阅

品名（中）	法庭陈述合奏
品名（英）	Court presentation ensemble
入馆年号	2009年，2009.300.941a–e
策展部门	服装研究所（Costume Institute）
创作者
创作年份	公元 1896
创作地区
分类
尺寸
介绍（中）	艾米丽·沃伦·罗布林（Emily Warren Roebling）在布鲁克林大桥的建设中发挥了重要作用，她在1896年向维多利亚女王正式展示时穿着这件礼服。罗贝林是桥梁总工程师华盛顿奥古斯都·罗布林（1837-1926）的妻子，在丈夫生病并无法访问建筑工地后，他接管了该项目的日常监督十四年。虽然她没有接受过正规培训，但罗布林广泛的工程知识为1883年大桥的成功完成做出了重大贡献。在法庭上的演讲是针对罗布林社会地位的美国女性的特别活动，法庭礼仪规定了该活动的男女正装。华丽的刺绣、华丽的纺织品和长长的火车是正式礼服的特征，使其适合场合。罗布林似乎对合奏有一种情感上的依恋;她选择再次佩戴它作为查尔斯-埃米尔-奥古斯特·卡罗勒斯-杜兰（1838-1917）的肖像，该肖像现在也是布鲁克林博物馆收藏的一部分。
介绍（英）	Emily Warren Roebling, who had a significant role in the building of the Brooklyn Bridge, wore this gown for her formal presentation to Queen Victoria in 1896. Robeling was the wife of Washington Augustus Roebling (1837-1926), the chief engineer of the bridge, and took over day-to-day supervision of the project for a period of fourteen years after husband became ill and was unable to visit the construction site. Although she had no formal training, Roebling's extensive knowledge of engineering contributed significantly to the successful completion of the bridge in 1883. Presentation at court was a special event for American women of Roebling's social status and court protocol regulated men's and women's formal attire for the event. The lavish embroidery, sumptuous textiles and long train are characteristics of the formal gown, making it appropriate for the occasion. Roebling appears to have had a sentimental attachment to the ensemble; she chose to wear it again for her portrait by Charles-Émile-Auguste Carolus-Duran (1838–1917) which is also now part of the Brooklyn Museum collection.