连衣裙 - 美国大都会艺术博物馆展品查阅

品名（中）	连衣裙
品名（英）	Dress
入馆年号	2009年，2009.300.578a, b
策展部门	服装研究所（Costume Institute）
创作者
创作年份	公元 1832 - 公元 1835
创作地区
分类
尺寸
介绍（中）	这种过渡风格表明了其时代的审美。大吉戈袖从 1830 年代初到 1836 年很受欢迎，当时它们开始减少到随后时期的紧身袖子。这种类型的套筒通常由鲸骨或羽绒填充物支撑。其过渡性情的另一个迹象是腰部高度和完整的钟形裙摆。美丽的纺织品也是那个时代的产物，有斑驳的地面和鲜艳的花朵，映衬着柔和的藤蔓。图案营造出一种非常迷人的感觉，让人联想到浪漫的 1830 年代风格。 19世纪中叶的女性剪影由合身的紧身胸衣和宽大的全裙组成。圆锥形裙子在 1830 年代之间发展起来，当时帝国轮廓的高腰降低，裙子变得更加钟形，到 1860 年代后期，裙子的丰满度被拉到后面，喧嚣发展起来。这一时期的喇叭裙在整个过程中逐渐增加，并得到了多种方法的支持。最初，支撑来自多层衬裙，由于重量和不适，这些衬裙被由鲸须、手杖和金属等材料制成的渐变箍组成的裙底所取代。这一时期的时尚使纺织品脱颖而出，因为裙子的表面积很大，多余的装饰相对较少。
介绍（英）	This transitional style indicates the aesthetic of its period. The large gigot sleeves were popular from the early 1830s through 1836 when they began to diminish to the tightly fitted sleeves of the following period. This type of sleeve was generally supported by whalebone or down filling. Another indication of its transitional disposition is the waist height and the full bell-shaped skirts. The beautiful textile is also a product of its time with a stippled ground and bright flowers against muted vinery. The patterning creates a very charming feel evocative of the romantic 1830s style. The female silhouette of the middle of the 19th century consisted of a fitted corseted bodice and wide full skirts. The conical skirts developed between the 1830s, when the high waist of the Empire silhouette was lowered and the skirts became more bell shaped, to the late 1860s, when the fullness of the skirts were pulled to the back and the bustle developed. The flared skirts of the period gradually increased in size throughout and were supported by a number of methods. Originally support came from multiple layers of petticoats which, due to weight and discomfort, were supplanted by underskirts comprised of graduated hoops made from materials such as baleen, cane and metal. The fashions during this time allowed the textiles to stand out because of the vast surface areas of the skirt and a relatively minimal amount of excess trim.