围裙 - 美国大都会艺术博物馆展品查阅

品名（中）	围裙
品名（英）	Apron
入馆年号	2009年，2009.300.2719
策展部门	服装研究所（Costume Institute）
创作者
创作年份	公元 1830 - 公元 1870
创作地区
分类
尺寸
介绍（中）	这件物品来自Natalia de Shabelsky（1841-1905）的收藏，她是一位俄罗斯贵族，被迫保留她认为正在消失的祖国民间艺术传统。她游历了整个大俄罗斯，收集了许多富农阶级纺织艺术的优秀范例。从19世纪70年代到1902年移居法国，沙贝尔斯基收集了大量刺绣精美的手工编织家用纺织品和装饰丰富、图案精致的节日服装。布鲁克林博物馆的藏品包括许多精美的例子，包括大部分服装。沙贝尔斯基的部分藏品也收藏在波士顿美术博物馆、克利夫兰美术馆和圣彼得堡俄罗斯民族志博物馆对女神的描绘在俄罗斯刺绣中很常见，传统上与生育有关。鸟类与女神崇拜联系在一起，因为它们通过天空中的家园接近神。一个较小的女儿或小女神经常伴随着伟大的女神刺绣，以代表生育能力。这种视觉图案的语言起源于异教徒时代，并在俄罗斯基督教化后继续用于刺绣。后来对女神的描绘非常程式化，就像这个例子中的植物或生命之树。
介绍（英）	This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg. Depictions of the goddess are common in Russian embroidery, traditionally associated with fertility. Birds are associated with goddess worship for their proximity to divine beings through their home in the sky. A smaller daughter or minor goddess often accompanies the great goddess in embroideries intended to represent reproductive fertility. This language of visual motifs originated in Pagan times and continued to be used in embroidery after the Christianization of Russia. Later depictions of the goddess are very stylized, resembling a plant or tree of life, as in this example.