钱包 - 美国大都会艺术博物馆展品查阅

品名（中）	钱包
品名（英）	Purse
入馆年号	2009年，2009.300.1906a, b
策展部门	服装研究所（Costume Institute）
创作者
创作年份	公元 1851 - 公元 1899
创作地区
分类
尺寸
介绍（中）	精致珠饰的一个很好的例子，这个墨西哥钱包的特点是惊人的细节。下半部分交替的动物形态和顶部的帐篷状花朵需要相当的技巧才能执行。该包内衬印花纺织品，是墨西哥珠饰系列的一部分，由著名飞行员查尔斯·林德伯格的妻子作家安妮·莫罗·林德伯格的母亲伊丽莎白·莫罗（1873-1955 年）组装的 600 多件珠饰收藏。莫罗在1927年至1930年间收集了这些物品，当时她的丈夫老德怀特·莫罗（Dwight Morrow， Sr.）担任美国驻墨西哥大使。她于1938年将藏品借给了布鲁克林博物馆，在她去世后，她的孩子们捐赠了它。155件墨西哥陶瓷和其他装饰艺术品被捐赠给她丈夫的母校阿默斯特学院。莫罗夫人收集了墨西哥珠饰以及其他殖民和本土艺术的例子，以装饰他们在库埃纳瓦卡的乡村住宅，以便通过其作品促进该国更和平的形象。莫罗斯试图通过强调其殖民、民间和当代艺术的丰富性和多样性来推翻革命后墨西哥作为一个暴力和不稳定国家的看法。玻璃珠最初是通过西班牙殖民贸易路线从意大利和亚洲进口到新西班牙（墨西哥）的。到十九世纪初，西班牙几乎失去了所有的殖民地，随着自由贸易的建立，英国船只开始向墨西哥进口珠子。该系列中包包和箱子的许多设计影响来自欧洲;珠饰设计的图案来自当代时尚出版物，如"La Dama Elegante"。
介绍（英）	A good example of elaborate beadwork, this Mexican purse features a remarkable amount of detail. The alternating animal forms on the bottom half and tent-stitch-like flower at the top require considerable skill to execute. The bag is fully lined with a printed textile and is part of the Mexican beadwork collection of over 600 pieces assembled by Elizabeth Morrow (1873-1955), mother of writer Anne Morrow Lindbergh, the wife of renowned aviator Charles Lindbergh. Morrow collected the objects between 1927 and 1930, when her husband, Dwight Morrow, Sr., served as U.S. ambassador to Mexico. She lent the collection to the Brooklyn Museum in 1938 and upon her death, her children donated it. A collection of 155 pieces of Mexican ceramics and other decorative arts were given to Amherst College, her husband's alma mater. Mrs. Morrow collected Mexican beadwork, along with other examples of colonial and native arts, to decorate their country home in Cuernavaca in order to promote a more peaceful image of that country through its works. The Morrows sought to overturn the perception of post-revolutionary Mexico as a violent and unstable nation by highlighting the richness and diversity of its colonial, folk, and contemporary art. Glass beads were originally imported to New Spain (Mexico) from Italian and Asian sources via Spanish colonial trade routes. By the early part of the nineteenth century, Spain had suffered the loss of almost all of its colonies and with the succeeding establishment of free trade British ships undertook the importation of beads to Mexico. Many of the design influences on the bags and cases in the collection came from Europe; patterns for beadwork designs came from contemporary fashion publications such as "La Dama Elegante."