钱包 - 美国大都会艺术博物馆展品查阅

品名（中）	钱包
品名（英）	Purse
入馆年号	2009年，2009.300.1905
策展部门	服装研究所（Costume Institute）
创作者
创作年份	公元 1800 - 公元 1830
创作地区
分类
尺寸
介绍（中）	钥匙和心形图像表明，这本钱包与浪漫有一定的联系，它可能是为了存放一对浪漫情侣之间的信件而制作的。这对树上有鸟，树干上绑着狗，这似乎是制造商设计的一个单独的主题。这本钱包是由著名飞行员查尔斯·林德伯格的妻子、作家安妮·莫罗·林德伯格的母亲伊丽莎白·莫罗（1873-1955）收集的600多件墨西哥珠饰的一部分。莫罗在1927年至1930年间收集了这些物品，当时她的丈夫老德怀特·莫罗担任美国驻墨西哥大使。1938年，她将这些藏品借给了布鲁克林博物馆，去世后，她的孩子们将其捐赠。155件墨西哥陶瓷和其他装饰艺术藏品被捐赠给了她丈夫的母校阿默斯特学院夫人。莫罗收集了墨西哥的珠饰，以及其他殖民地和本土艺术的例子，装饰他们在库埃纳瓦卡的乡村住宅，以通过其作品宣传该国更和平的形象。Morrows一家试图通过强调其殖民、民间和当代艺术的丰富性和多样性来推翻革命后墨西哥是一个暴力和不稳定国家的观念。玻璃珠最初是通过西班牙殖民贸易路线从意大利和亚洲进口到新西班牙（墨西哥）的。到19世纪初，西班牙几乎失去了所有的殖民地，随着自由贸易的成功建立，英国船只开始向墨西哥进口珠子。该系列中对袋子和箱子的许多设计影响来自欧洲；珠饰设计的图案来自当代时尚出版物，如"La Dama Elegante"
介绍（英）	The key and heart imagery suggest this pocketbook has some association with romance, it may have been created to hold letters between a romantically involved couple. The pair of trees with birds standing atop, and dogs tied to their trunks appears to be an individual motif worked out by the maker. The pocketbook is part of the Mexican beadwork collection of over 600 pieces assembled by Elizabeth Morrow (1873-1955), mother of writer Anne Morrow Lindbergh, the wife of renowned aviator Charles Lindbergh. Morrow collected the objects between 1927 and 1930, when her husband, Dwight Morrow, Sr., served as U.S. ambassador to Mexico. She lent the collection to the Brooklyn Museum in 1938 and upon her death, her children donated it. A collection of 155 pieces of Mexican ceramics and other decorative arts were given to Amherst College, her husband's alma mater. Mrs. Morrow collected Mexican beadwork, along with other examples of colonial and native arts, to decorate their country home in Cuernavaca in order to promote a more peaceful image of that country through its works. The Morrows sought to overturn the perception of post-revolutionary Mexico as a violent and unstable nation by highlighting the richness and diversity of its colonial, folk, and contemporary art. Glass beads were originally imported to New Spain (Mexico) from Italian and Asian sources via Spanish colonial trade routes. By the early part of the nineteenth century, Spain had suffered the loss of almost all of its colonies and with the succeeding establishment of free trade British ships undertook the importation of beads to Mexico. Many of the design influences on the bags and cases in the collection came from Europe; patterns for beadwork designs came from contemporary fashion publications such as "La Dama Elegante."