“荷兰郁金香”（纺织品） - 美国大都会艺术博物馆展品查阅

品名（中）	“荷兰郁金香”（纺织品）
品名（英）	"Tulipes Hollandaises" (textile)
入馆年号	2009年，2009.300.1708
策展部门	服装研究所（Costume Institute）
创作者	House of Worth【1858 至 1956】【法国人】
创作年份	公元 1889
创作地区
分类
尺寸
介绍（中）	沃斯一直对支持纺织业感兴趣，这件斗篷就是明证，它旨在将其纺织品展示到极致。这种纺织品本身有一个超过三英尺长的重复部分，使其令人惊叹，但也使其极难编织。这种引人注目的织物"Tulipes Hollandaises"在1889年巴黎世界博览会上展出，并获得大奖。郁金香有一种积极的动态品质，在深黑色背景下，明亮、充满活力的颜色与19世纪80年代和19世纪90年代诱人的蛇蝎美人情感相一致 Charles Frederick Worth出生于英国，年轻时在伦敦的纺织商工作，同时在博物馆研究艺术史。1845年，他搬到巴黎，在1858年与Otto Bobergh合作开设服装店Worth and Bobergh之前，他曾担任推销员和裁缝。他们很快就得到了皇室的认可，并取得了重大成功。1870年，沃斯成为该公司的唯一所有者。在他的店里，沃斯制作了完整的作品，然后用现场模特向客户展示。然后，客户可以根据自己的规格订购他们最喜欢的产品。这种方法是高级定制的起源。沃斯设计的礼服是一件艺术作品，通过精心挑选的纺织品和装饰完美地展现了色彩和纹理。他在每件衣服上使用的纺织品数量之多证明了他对纺织业的尊重和支持。沃斯的创作成果在他的一生中一直保持着其水准和知名度。这项业务在他的儿子、孙子和曾孙的指导下持续了二十世纪上半叶。
介绍（英）	Worth was constantly interested in supporting the textile industry as evidenced in this cape, which is designed to showcase its textile to the extreme. The textile itself has a repeat which is over three feet long making it stunning but also making it extremely difficult to weave. The dramatic fabric, "Tulipes Hollandaises," was exhibited at the Exposition Universelle of 1889 in Paris and won a grand prize. The tulips have an aggressive dynamic quality about them with the brilliant, vibrant colors against the deep black background consistent with the seductive femme fatale sensibility of the 1880s and 1890s. Charles Frederick Worth was born in England and spent his young adulthood working for textile merchants in London while researching art history at museums. In 1845 he moved to Paris and worked as a salesman and a dressmaker before partnering with Otto Bobergh to open the dressmaking shop, Worth and Bobergh, in 1858. They were soon recognized by royalty and major success followed. In 1870 Worth became the sole proprietor of the business. At his shop, Worth fashioned completed creations which he then showed to clients on live models. Clients could then order their favorites according to their own specifications. This method is the origin of haute couture. Worth designed gowns which were works of art that implemented a perfect play of colors and textures created by meticulously chosen textiles and trims. The sheer volume of the textiles he employed on each dress is testimony to his respect and support of the textile industry. Worth's creative output maintained its standard and popularity throughout his life. The business continued under the direction of his sons, grandsons and great-grandsons through the first half of the twentieth century.