莫德·摩根 - 美国大都会艺术博物馆展品查阅

品名（中）	莫德·摩根
品名（英）	Maud Morgan
入馆年号	1898年，98.9.3
策展部门	美国之翼（The American Wing）
创作者	Olin Levi Warner【1844 至 1896】【美国人】
创作年份	公元 1880 - 公元 1898
创作地区
分类
尺寸	22 3/4 x 7 1/4 x 10 英寸 (57.8 x 18.4 x 25.4 厘米)
介绍（中）	华纳可能是在纽约看过竖琴手莫德·摩根（1860-1941）的表演后，受到启发，为她制作了一幅肖像画。没有任何委托的证据，所以雕塑家大概是自己主动承担的。他对半身像的处理将古色古香的造型与摩根面部的自然主义特征融为一体。摩根棱角分明的头发、茫然的眼睛和支离破碎的肩饰使半身像与古董原型融为一体。她的圆脸和精致的嘴唇暗示着古典的简洁和精致，但它们也真实地代表了这位竖琴手的特点。肖像的造型和表达将其与法国美术传统联系在一起。不规则的肩部截断是华纳的老师让-巴蒂斯特·卡佩奥的风格。大都会的演员阵容建立在一个完整的社会基础上。这是华纳于1896年英年早逝后，国家雕塑协会赠送给博物馆的11件作品之一；这些青铜器是由蒂芙尼公司用这位艺术家的原始石膏铸造的。
介绍（英）	Warner may have been inspired to model a portrait of harpist Maud Morgan (1860–1941) after seeing her perform in New York. There is no evidence of a commission, so presumably the sculptor undertook the subject on his own initiative. His treatment of the bust integrated antique forms with the naturalistic features of Morgan’s face. Morgan’s filleted hair, blank eyes, and fragmented shoulder termination align the bust with antique prototypes. While her round face and delicate lips imply classicizing simplicity and refinement, they also truthfully represented the features of the harpist. The modeling and expression of the portrait tie it to the French Beaux Arts tradition. The irregular shoulder truncation is in the manner of Warner’s teacher Jean-Baptiste Carpeaux. The Metropolitan’s cast rests upon an integral socle base. It was one of eleven works by Warner given to the museum by the National Sculpture Society after Warner’s untimely death in 1896; the bronzes were cast by Tiffany and Company from the artist’s original plasters.