《般若波罗蜜多经》手稿的片段 - 美国大都会艺术博物馆展品查阅

品名（中）	《般若波罗蜜多经》手稿的片段
品名（英）	Fragment of a Prajnaparamita Sutra manuscript folio
入馆年号	2020年，2020.77
策展部门	亚洲艺术（Asian Art）
创作者	Unidentified
创作年份	公元 1000 - 公元 1199
创作地区
分类	手稿（Manuscripts）
尺寸	图像: 4 × 4 英寸 (10.2 × 10.2 厘米) 页: 7 3/4 × 5 1/2 英寸 (19.7 × 14 厘米)
介绍（中）	这是一个罕见的和早期的代表女神人格化的般若波罗蜜塔经文本。她展示了双臂，比划着转轮，智慧教导手印，法轮。她坐在一个莲花垫子上，上面有漂浮的缎带，能量波从她的身体辐射到环绕的曼多拉的热量中。她穿了一条图案优美的腰裙。所有这些都包含在一个带柱子的神龛中，有尿布图案的立柱和一个带红色窗帘和垂莲芽的六尖拱门。女神凝视着奉献者。该人物对解剖学的夸张和程式化处理代表了喜马拉雅山脉西部的克什米尔绘画风格。色彩是光芒四射的，具有一种增强人物其他世俗感的亮度。女神漂浮在金到红的光辉中，而金到红又笼罩在红、黄、绿的彩虹光环中。一切都以深蓝为背景。这幅画属于《般若波罗蜜多经》的一个版本，该文本主要由咒语和符咒（dharani）组成，在10-12世纪被广泛崇拜，作为一种功德行为被广泛复制。人们认为，它的背诵为所有崇拜它的人带来了保护和物质利益。托林修道院或该修道院势力范围内的其他修道院的出处似乎很可能。20世纪30年代，G.Tucci在Tholing购买了现在LACMA中几乎相同的绘画对开本。
介绍（英）	This is a rare and early representation of the goddess personification of the Prajnaparamita Sutra text. She is shown two armed, gesturing the turning of the wheel, the wisdom teaching mudra, dharmachakra. She is seen seated on a lotus cushion with floating ribbons along with energy waves that radiate from her body into the heat of the encircling mandorla. She wears a beautifully patterned waist skirt. All is contained in a pillared shrine, with diaper-patterned uprights and a six-cusped arch with red curtains and pendant lotus buds. The goddess fixes the devotee with a unfaltering gaze. The figure’s exaggerated and stylized treatment of anatomy typifies the Kashmiri painting style as practiced in the western Himalayas. Colors are radiant and have a luminosity that enhances the figure’s other-worldliness. The goddess floats against a gold to red radiance that is in turn enveloped in a rainbow aureole of red, yellow and green. All is set against a deep blue ground. This painting belonged to an edition of the Prajnaparamita Sutra, a text largely composed of spells and charms (dharani) which was widely worshipped in 10th–12th centuries, widely copied as an act of merit. Its recitation was understood to bring protection and material benefit to all who worshipped it. A provenance to Tholing monastery or another in that monastery’s sphere of influence seems probable. Nearly identical painted folios now in LACMA were purchased by G. Tucci at Tholing in the 1930s.