修复面部的六个阶段，致力于尊重正确的阁下。阿切尔夫人 - 美国大都会艺术博物馆展品查阅

品名（中）	修复面部的六个阶段，致力于尊重正确的阁下。阿切尔夫人
品名（英）	Six Stages of Mending a Face, Dedicated with respect to the Right Hon-ble. Lady Archer
入馆年号	1959年，59.533.462
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Thomas Rowlandson【1757 至 1827】【英国人】
创作年份	公元 1792
创作地区
分类	印刷品（Prints）
尺寸	页: 11 3/16 英寸 × 16 英寸 (28.4 × 40.6 厘米) Plate: 10 7/8 × 14 15/16 英寸 (27.7 × 38 厘米)
介绍（中）	罗兰森嘲笑一个上了年纪的社交名媛为了显得年轻漂亮而追求的极端措施。她右上角朴实无华——秃头、无牙、半盲、胸部下垂——然后通过插入假眼和假牙、戴上卷曲的长假发，并用化妆品改造她的脸和手臂，逐渐"修复"自己。时尚的衣服和珠宝，用兔子的脚涂上胭脂，完成了这个幻觉，直到她准备参加化妆舞会。萨拉·阿彻夫人在印刷品的奉献中被唤起，她经常因大量使用化妆品而受到漫画家的嘲笑。在十八世纪，化妆在上流社会女性中很流行，但也受到了很多批评。由于面部彩绘和胭脂通常含有高水平的铅，它们可能很危险，使用者因为虚荣而牺牲健康而受到谴责。
介绍（英）	Rowlandson mocks the extreme measures that an aging socialite pursues to appear young and beautiful. She is shown unadorned at upper right–bald, toothless, half-blind and with fallen breasts–then progressively “mends” herself by inserting a false eye and teeth, putting on a long curled wig, and transforming her face and arms with cosmetics. Fashionable clothes and jewelry, and rouge applied with a rabbit’s foot, complete the illusion, until she is ready to attend a masquerade. Lady Sarah Archer, evoked in the print’s dedication, was often mocked by caricaturists for her heavy use of cosmetics. In the eighteenth century make-up was popular among upper class women but also was much criticized. Since face paint and rouge often contain high levels of lead, they could be dangerous, and their users were condemned for sacrificing health to vanity.