Maharana Jagat Singh起重机鹰 - 美国大都会艺术博物馆展品查阅

品名（中）	Maharana Jagat Singh起重机鹰
品名（英）	Maharana Jagat Singh Hawks for Cranes
入馆年号	1996年，1996.100.3
策展部门	亚洲艺术（Asian Art）
创作者	Shiva and Dayal
创作年份	公元 1744
创作地区
分类	绘画（Paintings）
尺寸	页: 26 7/8 x 29 3/4 英寸 (68.3 x 75.6 厘米) 图像: 23 7/8 x 25 7/8 英寸 (60.6 x 65.7 厘米) Framed: 34 5/8 × 36 1/2 × 1 1/2 英寸 (87.9 × 92.7 × 3.8 厘米)
介绍（中）	这幅壮观的梅瓦尔景观全景在一系列连续的小插曲中描绘了皇家狩猎派对，创造了一个连续的叙事。空中视角反映了许多拉其普特堡垒提供的地形俯冲视图，是梅瓦尔学派的一项创新，也许在这里与对欧洲制图的新认识相结合。金色的太阳光芒——拉其普特王子在他们的标准上展示的徽章——为构图增添了一个超现实的维度，如果有点天体。这幅画以其复杂的地形而著称，与富有想象力的绘画装置（小丘、溪流、田野）不同，每一种都被用来创造想象的景观。这幅作品的大规模是十八世纪中叶梅瓦尔绘画的典型特征，多位艺术家在宫殿工作室环境中工作的可能性也是如此。
介绍（英）	This spectacular panoramic vista of the Mewar landscape depicts a royal hunting party in a series of consecutive vignettes, creating a continuous narrative. The aerial perspective, reflecting the plunging views of terrain offered from many Rajput forts, was an innovation of the Mewar school, perhaps combined here with a new awareness of European cartography. The rays of golden sun—the insignia that Rajput princes displayed on their standards—add a surreal if somewhat celestial dimension to the composition. This painting is remarkable for its complex topography, differentiated with imaginatively devised pictorial devices—hillocks, streams, fields—each deployed to create a landscape of the imagination. The large scale of the work is typical of mid-eighteenth-century Mewar painting, as is the likelihood that multiple artists worked on it in a palace studio environment.