圣母和孩子在城门外休息 - 美国大都会艺术博物馆展品查阅

品名（中）	圣母和孩子在城门外休息
品名（英）	The Virgin and Child Resting Outside a City Gate
入馆年号	1972年，1972.137.2
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Annibale Carracci【1560 至 1609】【意大利人】
创作年份	公元 1560 - 公元 1609
创作地区
分类	图画（Drawings）
尺寸	页: 7 3/8 x 8 1/2 英寸 (18.8 x 21.6 厘米)
介绍（中）	安尼巴莱·卡拉奇（Annibale Carracci）的这幅作品以前由伟大的法国收藏家皮埃尔·克罗扎特（Pierre Crozat）和皮埃尔-让·玛丽埃特（Pierre-Jean Mariette）拥有，仍然揭示了受科雷焦（约1489-1534年）启发并由他的堂兄卢多维科·卡拉奇效仿的甜美女性类型，以及他们对随运动脉动的光线处理的兴趣。这幅画的日期可能可以追溯到 1580 年代初，这里的艺术家以深沉的色调和相当书法的书法使用绘制了前景中的人物。他建议背景中的建筑物具有大气的粗略性，这似乎也因其笔触的经济性而值得注意。圣母以谦卑的姿势坐在地上。正如有人所暗示的那样，安尼巴莱的作品可能是基于德国艺术家马丁·熊高尔（Martin Schongauer，约 1435/50-1491 年）在庭院中的圣母雕刻，其中玛丽坐在地上，墙壁在她身后以直角汇聚。
介绍（英）	Formerly owned by the great French collectors Pierre Crozat and Pierre-Jean Mariette, this composition by Annibale Carracci reveals still the sweet-faced female types inspired by Correggio (c. 1489-1534) and emulated by his cousin Ludovico Carracci, as well as their interest in a treatment of light that pulsates with movement. A drawing probably to be dated in the early 1580's, the artist here worked up the figures in the foreground with deep tone and a fairly calligraphic use of haching. He suggested the buildings in the background with an atmospheric sketchiness that seems noteworthy also for the economy of its strokes. The Virgin sits on the ground in a position of humility. As has been suggested, Annibale's composition may have been based on an engraving of the Virgin in a Courtyard by the German artist Martin Schongauer (c. 1435/50-1491), in which Mary sits on the ground before walls that converge at right angles behind her.